This page contains content related to kidnapping, sexual assault and murder that some may find disturbing. Only read on at your own discretion if you are 18 or older.
"We elites dine on sex, drugs and power. It is a mere child’s game to us. The password to everything is power. Whatever computer needs unlocking, all you needeth say is that money and power are with you; and that is it. Sex is the ultimate drug along with pornography as a subsidiary. But I digress. Wasting time with children is no game. It isn’t even playing to the rules."
-Śatanika's philosophy.
"Ashoka, you must allow our race to live on. You must! Without my race, I will have nothing. No kingdom, but a home of limited size to call mine own. Just because you have secured peace in this country and world doesn’t mean you have gained peace in every other world! What of the land of Zeus and the other Elementals? What of the other planets in this universe? All I ask for is my race back! Vasuki! Takshaka and Karkotaka. Why are you smiling? SMILING AFTER DEFILING A RACE OF IMMORTAL DRAGONS! HOW!? If you don’t agree to my demands… I will make sure the Society wins. In time, the snakes will merge back into their original form of the First Naga King, Vasuki but in truth, his name will thus be Padma, a snake of eternity who is the destroyer of all evil passions and poisons. I will make sure Beiping and all surrounding areas… Oshu, Ahreka and the lot are completely wiped out by the power of my army, ranks and snakes of the Highest Order. Even if we were and are Kings you know not what it's like to lose all your peoples to greed and conquest. That is what you are, a king of conquest! My snakes will gorge on those of this and all other lands. Vasuki will be reborn one day."
-Śatanika's goal to Ashoka.
Śatanika was the son of Janamejaya, the adopted father of Mūro Pyton and the creator of the Brotherhood of the Serpents. After living on the Naga World, a part of the Dragon World for millennia with Vasuki as its ruler, Ashoka would come in and destroy it for the sake of protecting India, leading to the now-displaced Naga wanting revenge on the human and around 5 years after the event, he would meet face-to-face with the man who destroyed his world. After speaking to him about the duty of a king, the two would briefly battle, with Ashoka cursing him to die at the hands of his future reincarnation, who would end up being Satoshi Fujiwara. After losing to Ashoka, he would retreat, swearing revenge on both him and India itself, doing so by starting the Brotherhood of the Serpents, bringing in elites from all different countries initially. Several millennia later, a man known as Thomas would join the organisation, secretly undermining it by using his position as Headteacher of a School. That said, he would take in a boy named Mūro Pyton when he was 8 after killing his "father", Yamato Takeru who was described as an old and kindly person. Whilst it is never directly stated what Muro underwent by the time he was 8 years old and before he became a student, it is heavily implied and outright stated by several people that Śatanika sexually assaulted and molested the young boy with the goal of making him the vessel of Vasuki by forcing 1000 snakes into his very being, biting him irreversibly on a constant basis, which eventually gave him a serpentine physiology whilst also making him predominantly emotionless as a result. Muro would eventually be instated into the School at the age of 16, and put on the Black Crows, a group consisting of himself, Satoshi Fujiwara (Ashoka's future reincarnation), Sakura Jigoku and being led by Yi Jing from the Red Lane. He would also mean Damian Alanis, Hajime Aldo and Ferdinand of Cavalon, with Damian becoming his "best friend", however this was fake, merely seeing him as someone that could be used due to his personality and capabilities. After Satoshi's mission in the Red Lane caused the deaths of her grandmother and brother (the leader of the Red Lane and one of its emperors), Yi Jing would take her own life, leading to Muro becoming leader of the Black Crows, causing even more suffering to Satoshi and Sakura unknowingly.
Sometime later in the year when Muro was 17, he would lure Sakura Jigoku, Satoshi Fujiwara (Ashoka's reincarnation)'s girlfriend into her bedroom under the guise of helping her with her then-pregnancy by stating that the doctor she knew, Kulana, made a plant several thousands of years ago that helped pregnant woman with the unintended side effect of consistent negativity 10 times over. This side effect would come out prominently in Sakura due to her devil physiology amplifying her negative traits, causing him to become sick and vomit considerably. 18 hours later, he would lure her into her bedroom and force snakes all over her body and clothing before locking her arms behind her back briefly as he shut the door. He would also try to take one of her eyes. After being sexually assaulted, she would get just enough strength to kick Muro’s stomach with her shoes, leading her to have one of her eyelids scratched. Muro smiled and walked away after 30 minutes, locking the door on his way out, wiping the spit off of his mouth. “You betrayer… of words.” She could barely say to the now-empty room. Shortly thereafter, Muro turned on his phone and said “I am done now.”, calmly walking away as Damien appeared behind him. “What happened to Sakura?” He asked, himself blissfully ignorant of what his friend just did. “Please take Hinata back to the dorm. I want her to be free from her mother’s maladies.” Muro said softly, despite his dark act being anything but, with Damien inevitably complying, taking her away.
12 hours later, Satoshi would come home only to find Sakura bleeding heavily, laying down on her stomach which would lead him to finding out that the attackers were the Brotherhood of the Serpent; also leading into both Sakura being taken to Kulana to be healed and an attack on the Brotherhood. Kulana would be questioned by Satoshi sharply, confirming that he did make the plant to help pregnant women however the side effect itself was unknown to even him with him being so skilled at healing that he helped Ashoka (the king of India and Satoshi's prior reincarnation)'s wife when she had her children. Sometime after, Satoshi would use the information gathered to find Damian and Muro respectively, attacking the former by knocking him out and interrogating him to see if he was Sakura's attacker which he vehemently denied. When speaking to Muro though, he was unable to see through the snake's lies, which would lead to Muro guiding Satoshi and his brothers into the Brotherhood of the Serpent. At the dead of night, Satoshi would have a dream where he'd see everything: Satanika speaking to Ashoka and attacking him as well as the aftermath. After being woken up, Muro would tell the Brothers about the Brotherhood of the Serpent's Winterball where they would strike, forcing them to dress in masked garb, infiltrate the place as waiters and secure any information. After going into the Brotherhood of the Serpent's Manor, they would find the festival and find the people simply doing their own things. “Remember these words: Sex, drugs, depravity and insanity.” Muro then said as he walked them out of the building and swiftly into the actual Palmer Manor. It was a beautiful area, filled with many jewels, cars, trees, forests, sandstone structures of what appeared to be horned statues. The place looked fit for a billionaire, no, several as it was abundantly clear that this place was truly one fit for royalty, which far surpassed where King Helios and Sakura lived in. There was a massive iron gate that shut itself off to outsiders as whistling was heard from all the trees that were resembling sakura trees in some twisted form, as snake heads were the branches with glowing purple eyes staring at the peoples when they weren’t looking. Terror exuded from every orifice of this place. “Can we go in?” Muro asked as his snake hit the gate with slight force, his tongue slipping. “Password?” The branches spoke as Muro smiled and said: Naga Abhikṣattṛ (Serpent Killer) to which the gates opened, allowing all of the brothers to go in as a man, clad in a suit of iron white and mysterious goggles which hid a mask that resembled a mongoose came out and watched them as he noticed Satoshi. “What on earth is he doing here?!” He thought, for he was Kulana… the maker of the drug that did Sakura in yet Satoshi himself was blissfully ignorant, woefully so. As they all went in, they noticed many people dancing already. They were at ease as food appeared in hand upon arrival. Was this an illusion? “Give the food.” Muro’s snake whispered to all of them as the brothers did exactly that; handing out drinks, cigarettes, drugs and even “chew toys”, to which everyone was delighted but all never seemed to question who these four people were. “Are they ready?” A man with a coyote mask asked Muro who nodded peacefully as they all came out with this simply saying “Entrare prego (Come in, please)” as he led all of them to the Second Hall which was called Village Hidden in the Leaves as Masaru himself let himself be free and danced with various women who were seemingly half-naked, voluptuous and deeply entranced by his very presence. The veils that once obscured them became as free-flowing as the wind and those who noticed him didn’t dare look at him once he observed their presence even remotely existing. “Come in, come in.” A man said, who was cloaked in red and saffron. A mask hid his appearance barring a penetrating gaze that was like that of a basilisk’s. His eyes were not visible as Muro smiled. The TALL BUTLER escorted the five closer and closer as every single person began to circle around them, ensnaring in their invisible grasp where there were several snakes surrounding the red cloaked man who had a mask with fangs as he had a fanged crown atop his clearly balding head. He sat enthroned with acolytes in purple robes standing either side ”Please come forward.” The man spoke as he beckoned his finger towards Muro, to which Satoshi looked slightly shocked. “Don’t tell me he-!” Satoshi thought to himself as those in the black cloaks of death closed rank, cutting off any way of escape and forcing them to watch this scenario. The man then calmly asked “May I have the password, please?” to which Muro then answered with Naga Abhikṣattṛ (Serpent Killer), to which Muro smiled to himself. “That is the password for admittance ... but may I ask if they know it too?” He asked Muro who nodded obediently, realising that he had won. “Show me your phone.” The man said to Muro who complied and showed him the phone" as Satanika would reveal himself and request the four men remove their masks, revealing truths about all of them. This sudden burst of information would cause Satoshi to have an outburst, demanding to know where his daughter and girlfriend were, leading to everyone including Muro laughing, blowing his cover and betraying them, before Satanika revealed that his goal was simple: To revive Vasuki and return the Dragon World to its glory as he then stated that he drained blood of both Hinata and Sakura, manipulated Zidine's mother and Zidine himself to make his brother King of Hesperia, had Satoshi's master killed off, which forced Satoshi to want to attack however everyone encircled him before Satanika crudely stated the following: "All you see here is illusory. My Maya… unreality mixed with reality. Surely Ashoka taught you that? The Hall is real… all its inhabitants… on the other hand, false. But, if you do get to the School, make sure you tell your beloved Mr Harimatsu that all is well." Satoshi would eventually convene with Sakura to see how she was and confirm Kulana's words as truth.
With that, midnight arrived as the other Brothers teleported away. Zidine himself walked over to Hesperia… ready for his revenge. Now in the morning, Zidine’s mother, Helena, the once Queen and now Grand Princess stood coldly in her throne room, watching greedily as George, her beloved son, was going to become King. She thought she was going to win everything. As she was about to land the crown on her son… a red thunderbolt could be seen in the distance. She knew her worst nightmare was coming. This was Fate itself coming and giving a huge middle finger. Helena would force her entire Army to assemble to kill him however... this would fail as Zidine would become slightly merciful before grabbing a soldier and claiming that he would be "sending a message. Just not by letter or animal". Helena would watch in visible horror. Red thunderbolts, skeletons, bones and a sea of blood devoured the entirety of the countryside as she saw numerous soldiers being ensnared in golden chains. “Request George to use the Scepter to annihilate Zidine from long range!” Helena screamed as Hadeil immediately made this request. With that, the sky would become golden as several soldiers would be burned alive by an woman who Zidine rightfully claimed was never loyal in the first place. In an instant, Zidine’s neck snapped sidewards, his eyes locked on to his former castle, staring eye-to-eye with Helena for the first time in years. His eyes narrowed briefly as a red lightning bolt was heard within the castle. He'd be confronted by Helena and Hadeil before threatening the two, exposing them both and Satanika's manipulation of them both. Before leaving, he'd speak to George before being commanded to depart, claiming that he forgave George and that he is under Helena's thumb.
Masaru, on the other hand, felt a bit empty after realising Dr Monty wasn't in his usual hiding place. He was a part of the Brotherhood and thus he could have simply disappeared off of the face of the earth however Masaru knew that this would've been too easy for the greatest alchemist the world, no, the universe has ever known. With that, he snuck into Dr Monty’s office at 5am precisely and observed multiple potion bottles and books that beheld various things such as Bewitching the mind, ensnaring the senses, turning humans into dragons... and... how to concoct the strongest material the world has ever known since Adamantine. Dr Monty would see him briefly before Masaru... and he... disappeared. He would eventually make this material, called Damonium and use it to fight a great Beast.
Xiaoyu stood outside the Brotherhood of the Serpent's lair, with a green beret-cap, greyish uniform with a Talwar (curved blade) and a mask that resembled a bird mask, specifically that of a blue Eagle. As he walked in with slight fear, he saw Śatanika having his wrists unclothed, as blood dropped on the ground in the form of a ritual circle, whilst he was on his knees in front of a horned statue; the exact same statue seen whilst in the beginning of his journey. And just as Xiaoyu’s footsteps were heard as silent as they were... Śatanika's eyes glanced at Xiaoyu from the corner of his eye along with another man and two women. The two would then clash as Satanika would reveal that Jaal was weak as he couldn't defend himself in his final moments, holding everything that Xiaoyu himself now bore. Throughout this battle, Xiaoyu used everything he had before revealing that he had a secret technique called the Fire Arrow with Xiaoyu simply saying “With this, my master will rest easy.” as he fired the arrow. Satanika screamed but laughed as everything he saw burnt to ashes. “MAYA!” He screamed as this was but an illusion, however his body was still considerably burned, along with his soul, with Xiaoyu then kicking him in the shins, sending him onto the ground, with his Dagger to his throat as Satanika stared at his blood-bound statue. “MURO! MURO!” Satanika screamed as Muro heard this loud and clear through his phone. “Yes?” He asked as they engaged in one telepathic conversation: Their last. “I have lost the will to live… the Brothers have won despite my truest of strength. You must continue the mission to revive Vasuki. Please! Then, everything you ever wanted will become a reality! You can murder Sakura and Satoshi. The house of cards has fallen… you will be my worthy successor... You, Muro.. You carve your own path, use whatever methods you see fit... You don't let legal bullshit get in the way. And if it costs a few lives? So be it… even if an ally dies… it will be a sacrifice for your greater good. Nagaloka and my dream will inevitably live on. Corruption will remain the same. Humanity… is greed… and bullshit covered by ‘empathy’ and morality. You really… were… my… worthy successor…I love you, son.” Satanika said to him but these final words were merely a facade as Xiaoyu used the Agneyastra to burn his hands, slicing them off and then letting the flames devour the area slowly. “This… is for Jaal… fucking cowardly bastard. I will make sure death meets you… in vain.” Xiaoyu said as he walked away, hearing Satanika screaming, only to walk out completely with Satanika’s existence becoming nothing more than a memory in Muro’s mind alone.
Satoshi and Muro would meet in person for their final fight where they would both use all of their abilities as Sakura would help fight during the battle to Muro's chagrin. During the battle, Muro summoned Yamata no Orochi with Satoshi using the Okami to slash off all eight heads before the other 3 brothers would intercept their battle, forcing Muro to summon Vasuki by saying the following incantation: "मैं, वासुकी की शक्ति का वाहक, उसे इस शापित दुनिया में छोड़ दूंगा ताकि नागलोक एक बार फिर वापस आ सके! (main, vaasukee kee shakti ka vaahak, use is shaapit duniya mein chhod doonga taaki naagalok ek baar phir vaapas aa sake! - "I, bearer of the power of Vasuki, shalt release him unto this cursed world so Nagaloka can return once more!")
His body convulsed and writhed in agony, his lower half having become completely unrecognisable as the blood that once was resembling his humanity in any facet was nothing more than a lake of blood and guts with Satoshi commanding they find materials to make a chamber to seal Vasuki away and after going to Beiping to find them, Satoshi and Masaru would work together by using "Final Art - Combination Technique - State of the Celestial Fist” causing the entirety of the chamber to collapse and seal the wretched beast. Sakura ran in to find the pet snake Vasuki. “SAKURA!!!” Satoshi screamed to which all four Brothers knew that finding her at this point would lead to regret. “My apologies, Brother but saving her is not possible.” Masaru and Zidine spoke sorrowfully. Satoshi’s heart sank as his soul shattered. “No… no… no…” Satoshi thought to himself as his Shadow Sword briefly flared up and then died down in mere moments. “Damn it. Why does this have to be one…” Satoshi thought to himself, reminding himself of every good moment he had with Sakura… “Of eternal bloodshed and sacrifice?” Satoshi muttered to himself with the other Brothers looking in sorrow. They slowly came to terms with the fact that Sakura, a good devil... had seemingly perished and sacrificed her life for love. With that, Muro would attack Sakura for the final time, successfully stealing both of her eyes before claiming that she was "inhumanely sexy" however, Sakura was one step of him and used her sensory capabilities to slash both of his arms off and then figure out where the snakes came from, to which she decided to simply slash at every corner of his body as she was too fast for him to react, even with his eyes that saw all futures. “Katatagaenokami (方違え神, lit. A Divine Change in Direction)!” Muro screamed, warping space and the concept of directions, teleporting them in front of Satoshi and the Brothers, only for Muro to feel extensive damage to each body as snakes ripped themselves out of every single orifice of his body, with all 1000 snakes that once inhabited him… now dying thanks to Muro’s body being too injured as he stared at Sakura who stood above him like a lioness to a deer; the mother ready to protect her pride. “My snakes have been annihilated!” Muro thought to himself in fear; vomit and spit sputtering from the mouth and foaming in terror as Sakura glared at him, now having her eyes regenerated; him seeing the house he assaulted her in. “I am you. No matter what I do… I cannot reject you.” Sakura said as Muro looked absolutely frightened, trying to crawl away from her, as his arms hardly regenerated, causing blood to drip away from him. “No matter what I do, I cannot run away from you. If you regenerate in the form of Damien, I will kill him too. You are a curse. A wretched serpent. A snake who just won’t die. Whose scales strip away, revealing this shell of a man that you are. A coward, predator and a rapist just like your Father.” Sakura said coldly as snake venom dripped down her face in the form of tears of blood. She walked closer as Muro screamed in terror and tried to run out of the house but it was locked… throwing whatever he could find on the floor at Sakura who barely acknowledged their existence. Muro’s eyes began to flood with tears, seeing as he lacked power and control. “PLEASE!” Muro screamed as he tried to bow towards her. “That’s it. Lick and grovel at my feet… Bow down to your queen.” Sakura sarcastically said, reprimanding him with one kick to his face, grabbing him and then kicking him in the stomach, sending him flying as the door of the house continued to remain steady and unwavered as booming sounds hit it hard yet still the house never budged even an inch. “You have no more power. How does it feel?” Sakura asked as Muro’s tears didn’t stop. The door opened slowly, seemingly letting Muro free from his suffering. with everyone to their horror, seeing the Headmaster standing in front of them before stating that he didn't want to fight them. He would be the one to kill Muro by snapping his neck and walking away, leading to shock and visible horror.
What Ifs[]
Satanika would be revived and fight Thomas, Yeongjo, Ferdinand, Damian, etc. and win.
Personality[]
Wanker.
Though not exposing much about himself, Śatanika strikes as a strictly authoritarian personality, given his intimidating, commanding nature and the engaging aura he depicts during the ritual. He seemingly takes pleasure in controlling the sexual activities during the orgy, ordering all attendant women one by one to seduce a man when their time has come. He also created the entire Brotherhood of the Serpent out of the single desire to repopulate the Naga World as he always considered himself unique and above all others. Ironically, his actions to ensure his own league of fame made him no different from any tyrant who would come to fear the ones they oppressed. It was implied that had Śatanika beaten Ashoka, he would have remade the Naga world in his own image. Despite his independent streak, it is not to say he would completely reject all assistance, if only he was forced into a desperate measure. He also had very little attachment to anything that did not amplify his fame or existence, as he viewed his followers as nothing more than disposable pawns to carry out his tasks while only valuing their usefulness and physical abilities. Despite doting on his followers, he was willing to execute any of them (or anyone else) if it suited him, even if they were completely loyal to him. His arrogance inevitably led to his major downfall. He suffered from thanatophobia, a pathological fear of death, which he regarded as a shameful and ignominious human weakness. He equated death with being defeated or loss of domination, the ultimate humiliation. Despite his narcissistic nature, Śatanika could acknowledge his mistakes. He was ultimately obsessed with Muro being used as a vessel for Vasuki and is heavily implied to have sexually abused him in order to get what he wanted. He acknowledged his mistakes on several occasions, and with the candour and charm that had won him followers in the first place, he sought to make hay of his missteps, openly revealing such unflattering information to his followers and using it to illustrate how he could use his wits to further enhance his powers. Voldemort was shown to be highly intelligent and charismatic However, despite Śatanika's general malicious ways, he had proven that he was capable of acknowledging the desires of others, but only if those desires did not interfere with his ambitions and were presented by someone whom he deemed a worthy servant. He also seemed to have respected, and sometimes even admired, bravery and skill, even when displayed by some of his enemies and was very manipulative towards Xiaoyu - something which became his undoing. Śatanika suffered from delusions of godhood. He frequently referred to himself in third person to further emphasise his own importance
Although there was no questioning his intellect, which was vastly beyond genius level, he nevertheless displayed symptoms of the mental instability that had pervaded the Naga bloodline from which he was descended. He was known for frequent and violent mood swings, being willing to attack anyone within his line of sight when angered.
Powers and Stats[]
Tier: Unknown or Varies | High 7-C with snakes | High 7-A | At least 6-A or 5-C, likely 4-A | High 3-A as Vasuki
Non-Physical Interaction, Abstract Existence (Type 1), Acausality (Type 3 - Vasuki or the White Snake of Rebirth is outside of the time axis as well as cause and effect due to existing on a timeless world), Immortality (Type 1. 4, 5, 8 and 10; Via Vasuki), Time Manipulation, Beyond-Dimensional Physiology (Type 2), Existential Manifestations and Malleable Anatomy), Superhuman Physical Characteristics, Immortality (Type 9), Regeneration (High-Godly; destroying his concept is the only way to truly kill it)), Invulnerability, Shapeshifting (As Vasuki), Self-Sustenance (Types 1 and 2; Can survive in the vacuum of space and in a variety of extraterrestrial environments. Can survive underwater indefinitely), Conceptual Creation, Existence Erasure/Power Nullification/Space-Time Manipulation/Soul Manipulation/Immortality Negation (Type 4 through the Haalahaala with the White Snake of Rebirth alone, which could end the entire universe and negate immortality as well as erase a person's existence on the spiritual, conceptual, mental and physical levels which can be done when the White Snake bites an opponent on the neck or wherever Satanika desires on the body), Size Manipulation (The White Snake can grow in size) as well as Resurrection and Immortality (Type 5 or 9 - The White Snake is fundamentally immortal and cannot necessarily die including through Existence Erasure; if he dies, the White Snake can revive him) alongside Fire Manipulation, Invisibility, Poison Manipulation (“Now… the Haahahala will appear. You see, the White Snake and Ansen are dead… meaning, the end has come.” Ryujin said as the poison devoured all of Creation whilst Zerox burned up as Ayumi, upon absorbing even a whiff… was knocked out even at full power, killing her as the two friends, who saw themselves as sisters… held hands with Kento and Sokaran trying to use the Zamharir, Fire and Zaqqum only for the flames, ice and poison to affect the entire world, Moon, universe and Creation however they were simply sucked into the poison… only for a white and golden light to manifest from both Ansen and Ayumi. “Her power as Queen of the Nagas is finally manifesting.” Ryujin said as a baby white snake appeared. “Hey! That’s Ansen’s snake!” Sokaran screamed out. “Vasuki is immortal, thou seest. He cannot truly die. But he is still weaker than Ananta Shesha.” Ryujin calmly said as Tatsuryuu felt death come unto him as Ryujin also did but barely let it affect him, only for all of the Poison to be absorbed into Ansen passively, granting her complete immortality and annihilation of all things." Ryujin then explained)
Attack Potency: Large Town Level (Upscales infinitely from the likes of Akira Yamamoto who can destroy lakes the size of towns) | Large Mountain Level | At least Multi-Continental to Moon Level (Scales above Muro and other Dragons including the Bakunawa, someone who can eat moons) | Solar System+ | Universal (Equal to Vasuki)
Speed: Immeasurable (Lived on the Naga world, a part of the Dragon World which is timeless)
Lifting Strength: Universal (Scales to Vasuki who lifted the entirety of the Ocean of Milk during the Samudra Manthana)
Striking Strength: Universal+ (Scales to Vasuki who can release poison which can end the universe)
Durability: Universe+ (Scales to Vasuki who survived the Haalahaala)
Range: Extended Melee Range, Tens of Meters with ranged attacks, Irrelevant with Vasuki
Intelligence: Supergenius (Manipulated everyone including Muro to work for his plans)
Notable Abilities[]
His Dragon Eyes
Dragon Eyes[]
As a Naga, he has the Dragon Eyes.
It grants six abilities:
(1) Tengentsu: "the divine eyes" capable of seeing anything at any distance and the future destiny of oneself and others, where this is also called the power of celestial vision, where one is able to see the appearances of the birth, death, suffering and happiness of all beings in the three worlds and six realms, as well as all shapes and forms in the world, able to see things in the distance, and able to see clearly through obstacles, regardless of the brightness of light sources and the influence of distance and time, able to see the real appearances of all things clearly. Therefore, a person with the power of celestial vision, no matter how far it is, and no matter if it's at night, still can see clearly. This is the first type, the power of celestial vision. In most of the Stupa, these eyes are depicted in all four directions to show the omnipotent ability of Lord Buddha. Most of the Buddha statues, as well as Buddha images, are also depicted with Wisdom eyes. However, the art of these eyes may differ according to the Buddhist tradition in various countries.
Presumably how Dragon Eyes users see with Tengentsu or their base sight.
There are multiple depictions of Buddha's eyes. It is also said there are two types of Buddha eyes, i.e., Inner and Outer eyes. Material eyes are called outer eyes, believed to be the eyes of Wisdom and see the outside world that can be seen with material eyes and the inner eyes that know the world of Dhamma. This inner eye is considered the Third eye of the Buddha and Urna. There was always a subject and an object. For example, with the physical eye we have a human being as subject and worldly phenomena as object. With the heavenly eye we have divine beings as subject and the vast realms of space as object. With the wisdom eye we have arhat as subject and emptiness as object. Bodhisattva is the subject and the various realms of the universe are the objects when we refer to the Dharma eye. When we talk about the buddha eye, however, it would be quite incorrect to say that buddha is the subject and the universe is the object, because the distinction no longer exists between buddha and the universe. Buddha is universe and universe is buddha. It would be equally wrong to say that buddha possesses the buddha eye because there is again no distinction between the buddha eye and buddha. Buddha eye is buddha and buddha is buddha eye. In short, any duality you can construct is not relevant to the buddha eye. The second point I wish to make about the buddha eye concerns the nature of infinite infinity. What do I mean by infinite infinity? Although we say that the human concept of the cosmos is an infinity, such a concept is just like a bubble in the vast sea when compared with Buddha’s experience of the cosmos. Is it incredible? Yes, it is incredible. But let’s think of what we have in mathematics. You know that the first degree of power is a line. The second degree of power is a plane. The third degree of power represents a three-dimensional space. All of these shapes could already be infinite in size. Now how about the fourth degree of power, the fifth degree of power, up to the nth degree of power? If you are able to explain what the nth degree of power represents, you might have some understanding of Buddha’s cosmology: the infinite infinity. Thirdly, I wish to say something about the nature of instantaneity and spontaneity. This is again a concept that is very difficult for human beings to understand. To us, the duration of time is a solid fact. Moving through this time factor, man grows up from an infant, to a youth, to maturity, to old age, etc. It is beyond our comprehension to say that time does not exist for the buddha eye, but that is what the buddha eye entails. Billions of years are no different from one second. A world which is measured as billions of light years away from the earth according to our cosmology can be reached in just one instant. What a wonder this is! The final point I wish to make about the buddha eye is its nature of totality and all-inclusiveness. One who has only the physical eye will insist that only the physical body is real, since he lacks the knowledge of all other realms. One who possesses the wisdom eye sees that these forms are phantoms which are impermanent, insubstantial, and unreal, and that emptiness is the only state which is real and permanent. Thus does one become attached to emptiness. Now, one who possesses the Dharma eye will say that although it is true that all such forms are manifestations, they are not entities separate from emptiness, and they are real with respect to the realm they are in. This realization automatically generates an unconditional, nondiscriminative universal love and compassion. Such a person is said to possess the Dharma eye; in Buddhism that person is called a bodhisattva. Once one overcomes the attachment to emptiness, the unconditional, nondiscriminating love and compassion arising spontaneously from a direct experience of emptiness is truly a wonder of mankind. With the divine eye (dibba-cakkhu = yathākammūpaga-ñāṇa or cutūpapāta-ñāṇa) the pure one, he sees beings vanishing and reappearing, low and noble ones, beautiful and ugly ones, sees how beings are reappearing according to their deeds (see karma): ‘These beings, indeed, followed evil ways in bodily actions, words and thoughts, insulted the noble ones, held evil views, and according to their evil views they acted. At the dissolution of their body, after death, they have appeared in lower worlds, in painful states of existence, in the world of suffering, in hell. Those other beings, however, are endowed with good action… have appeared in happy state of existence, in a heavenly world. The six spiritual penetrations are: the penetration of the heavenly eye, the penetration of the heavenly ear, the penetration of knowing others thoughts, the penetration of knowing past lives, the penetration of traveling freely, and the penetration of being free of outflows. The penetration of traveling freely is also called the penetration of spiritual states and the penetration of wishes fulfilled. Speaking of the penetration of the heavenly eye— we are all people, but we are different. How are we different? Some people can observe the trichiliocosm as if it were an apple in the palm of their hand. Venerable Aniruddha had the penetration of the heavenly eye; he was foremost in the heavenly eye. The penetration of the heavenly ear, someone with this penetration can hear all the sounds throughout the human realm, the heavens and all of trichiliocosm. The penetration of others’ thoughts, someone with this penetration knows what you are thinking before you articulate it. The penetration of knowing past lives: someone with this penetration knows everything you did in your past lives, both good and bad. The penetration of spiritual states: the spiritual here is what you mentioned earlier, a kind of inconceivable state. The spiritual and the wondrous are somewhat similar, so sometimes we use them together as one phrase to mean that they are unfathomably spiritual and wondrous, an incredible state. Penetrations are unimpeded; blockages clear up. For instance, walls obstruct, but puncture a hole in it and it is penetrated. Our ignorance obstructs the light of our inherent nature, if you can use your wisdom sword to pierce through, that would be penetration. The penetration of no outflow. Why do we human beings not become Buddhas? It is because of our outflows. Why do we human beings not become Bodhisattvas? It is also because of these outflows. These outflows leak into the Triple Realm: the Desire Realm, the Form Realm and the Formless Realm. Not only do outflows lead into the Triple Realm but the nine realms too. What are the nine realms? The realms of the Bodhisattvas, Sound Hearers, Those Who Enlighten to Conditions, gods, humans, asuras, hell-beings, hungry ghosts, and animals. "If he wants, he sees — by means of the divine eye, purified and surpassing the human — beings passing away and re-appearing, and he discerns how they are inferior and superior, beautiful and ugly, fortunate and unfortunate in accordance with their kamma: 'These beings — who were endowed with bad conduct of body, speech, and mind, who reviled the noble ones, held wrong views and undertook actions under the influence of wrong views — with the break-up of the body, after death, have re-appeared in the plane of deprivation, the bad destination, the lower realms, in hell. But these beings — who were endowed with good conduct of body, speech, and mind, who did not revile the noble ones, who held right views and undertook actions under the influence of right views — with the break-up of the body, after death, have re-appeared in the good destinations, in the heavenly world.' Thus — by means of the divine eye, purified and surpassing the human — he sees beings passing away and re-appearing, and he discerns how they are inferior and superior, beautiful and ugly, fortunate and unfortunate in accordance with their kamma. He can witness this for himself whenever there is an opening. The divine eye refers to the ability to observe things from afar, as well as to see the “mind-made bodies” (manomayakāya) that are the products of meditation or enlightenment. It also provides the ability to observe where beings will be reborn after they die (S. cyutyupapādānusmṛti), the second of the trividyā. One who possesses this power sees the disappearance and arising of beings as low or noble, beautiful or ugly, etc., according to their wholesome and unwholesome deeds (karman) in body, speech, and mind.
Knowing what is possible and what is impossible (sthānāsthāna-jñānabala, gnas dang gnas ma yin pa mkhyen pa); Dear Sāriputta, the Tathāgata Buddha knows about the things that could happen and that could not happen in the world in the exact way. This is a power of the Tathāgata. It is with that power the Tathāgata Buddha is assuring His greatness fearlessly.
Knowing the ripening of karma (karmavipākajñānabala, las kyi rnam smin mkhyen pa); Dear Sāriputta, the Tathāgata Buddha is capable of realizing the results of any action (Karma) that has been performed over the past, in the present, or in the future in detail, with reasons, and in the exact way. This is also a power of the Tathāgata.
Knowing the various inclinations (nānādhimuktijñānabala, mos pa sna tshogs mkhyen pa); Dear Sāriputta, if there is a journey of a being towards a birth, the Tathāgata Buddha is capable of realizing all these journeys in the exact way. This is also a power of the Tathāgata. It is with that power the Tathāgata Buddha is assuring His greatness fearlessly; Dear Sāriputta, the Tathāgata Buddha is capable of knowing the world of many and various natures in its exact way. This is also a power of the Tathāgata. It is with that power the Tathāgata Buddha is assuring His greatness fearlessly.
Knowing the various elements (nānādhātujñānabala, khams sna tshogs mkhyen pa); Dear Sāriputta, the Tathāgata Buddha has the capability to know all divergent types of natures pertaining to the minds of beings and the differences corresponding to the deficiencies of their minds in the exact way. This is also a power of the Tathāgata. Dear Sāriputta, the Tathāgata Buddha has the capability to know the extent of other beings’ and other humans’ development of skills such as Saddhā in the exact way. This is also a power of the Tathāgata.
Knowing the supreme and lesser faculties (indriyaparāparajñānabala, dbang po mchog dang mchog ma yin pa mkhyen pa); Dear Sāriputta, the Tathāgata Buddha knows about the Dhyāna in the exact way. He also knows about Vimōksha, Samādhi, and about various types of Samāpatti in their exact way. He also has the capability to know about how these states of Dhyāna and Samāpatti could get tainted and how one gets up from a Samādhi. This is also a power of the Tathāgata.
Knowing the paths that lead to all destinations (sarvatragāminīpratipajjñānabala, thams cad du ’gro ba’i lam mkhyen pa); Dear Sāriputta, the Tathāgata Buddha is capable of seeing how He spent His past lives in many ways. He has the capability to remember His past lives in terms of one life, two lives, three lives, four lives, five lives, ten lives, twenty lives, thirty lives, forty lives, fifty lives, hundred lives, thousand lives, or even hundred thousand lives. In fact, He can remember the past up to infinite time such as many Sanvatta Kalpa, Vivatta Kalpa, and Sanvatta Vivatta Kalpa. He is capable of remembering all the past lives with all related information in a manner as follows: “I lived in that particular place, in that name, and in that family name. My skin color was this. I ate these kinds of foods and felt these and these happiness and sorrow. I died in these ways and got born in that other place. I got that particular name in that life. I had this family name. My skin color was this. I ate these kinds of foods and felt these and these happiness and sorrow. I died in these ways and got born in that other place.” This is also a power of the Tathāgata.
Knowing the concentrations, liberations, absorptions, equilibriums, afflictions, purifications, and abidings (dhyānavimokṣasamādhisamāpattisaṃkleśavyavadānavyutthānajñānabala, bsam gtan dang rnam thar dang ting ’dzin dang snyoms ’jug dang kun nas nyon mongs pa dang rnam par byang ba dang ldan ba thams cad mkhyen pa); Dear Sāriputta, the Tathāgata Buddha is capable of seeing how beings leave their present life when they die, how they are born, how they get high or low status births, how they get beautiful or ugly births, or how they are born in high-level (Sugati) or low-level (Dugati) worlds. He gets to know how the beings get their births according to their actions (Karma). “Oh! These beings are unrighteous in their bodily actions, words, and thoughts. They have treated noble humans evilly and harmed them. They are of profane (Miccā Ditthi) behavior and act in profane believes. As a result of their evil actions, they have been born in the low-level world known as the Niraya (hell) after their deaths. Oh! These meritorious beings are righteous in their bodily actions, words, and thoughts. They haven’t treated the noble humans evilly nor harmed them. They are of views according to excellent moral qualities (Sammā Ditthi) and act accordingly. As a result of their good actions, they have been born in the high-level world known as the Sagga (heaven) after their death.” In this way, using the divine eye of the Tathāgata that excels the normal human eye, beings that are passing away and getting born are seen by the Tathāgata Buddha. This is also a power of the Tathāgata.
Knowing the recollection of past existences (pūrvanivāsānusmṛti-jñānabala); Dear Sāriputta, the Citta Vimutti and Pagnna Vimukti are obtained by eradicating all the defilements. The Tathāgata Buddha lives exactly knowing these defilements-free Citta Vimutti and Pagnna Vimukti with the wisdom He attained by His own realization (enlightenment). This is also a power of the Tathāgata.
Knowing death and rebirth (cyutyupapattijñānabala, ’chi ’pho ba dang skye ba mkhyen pa);
Knowing the exhaustion of the defilements (āsravakṣaya-jñānabala); "If he wants, he knows the awareness of other beings, other individuals, having encompassed it with his own awareness. He discerns a mind with passion as a mind with passion, and a mind without passion as a mind without passion. He discerns a mind with aversion as a mind with aversion, and a mind without aversion as a mind without aversion. He discerns a mind with delusion as a mind with delusion, and a mind without delusion as a mind without delusion. He discerns a restricted mind as a restricted mind, and a scattered mind as a scattered mind. He discerns an enlarged mind as an enlarged mind, and an unenlarged mind as an unenlarged mind. He discerns an excelled mind [one that is not at the most excellent level] as an excelled mind, and an unexcelled mind as an unexcelled mind. He discerns a concentrated mind as a concentrated mind, and an unconcentrated mind as an unconcentrated mind. He discerns a released mind as a released mind, and an unreleased mind as an unreleased mind. He can witness this for himself whenever there is an opening. "If he wants, he recollects his manifold past lives (lit: previous homes), i.e., one birth, two births, three births, four, five, ten, twenty, thirty, forty, fifty, one hundred, one thousand, one hundred thousand, many aeons of cosmic contraction, many aeons of cosmic expansion, many aeons of cosmic contraction and expansion, [recollecting], 'There I had such a name, belonged to such a clan, had such an appearance. Such was my food, such my experience of pleasure and pain, such the end of my life. Passing away from that state, I re-arose there. There too I had such a name, belonged to such a clan, had such an appearance. Such was my food, such my experience of pleasure and pain, such the end of my life. Passing away from that state, I re-arose here.' Thus he remembers his manifold past lives in their modes and details. He can witness this for himself whenever there is an opening. "If he wants, he sees — by means of the divine eye, purified and surpassing the human — beings passing away and re-appearing, and he discerns how they are inferior and superior, beautiful and ugly, fortunate and unfortunate in accordance with their kamma: 'These beings — who were endowed with bad conduct of body, speech, and mind, who reviled the noble ones, held wrong views and undertook actions under the influence of wrong views — with the break-up of the body, after death, have re-appeared in the plane of deprivation, the bad destination, the lower realms, in hell. But these beings — who were endowed with good conduct of body, speech, and mind, who did not revile the noble ones, who held right views and undertook actions under the influence of right views — with the break-up of the body, after death, have re-appeared in the good destinations, in the heavenly world.' Thus — by means of the divine eye, purified and surpassing the human — he sees beings passing away and re-appearing, and he discerns how they are inferior and superior, beautiful and ugly, fortunate and unfortunate in accordance with their kamma. He can witness this for himself whenever there is an opening. "If he wants, then through the ending of the mental effluents, he remains in the effluent-free awareness-release and discernment-release, having known and made them manifest for himself right in the here and now. He can witness this for himself whenever there is an opening."
As mentioned above, Moggallana, with his Divine Eye, was able to perceive the Buddha over a long-distance. (Samy. 21, 3)
Once the following happened. While Sariputta was sitting in quiet meditation, a wanton demon (Yakkha) hit him on the head. Moggallana saw it and asked his friend whether he had felt much pain. Sariputta smiled and said that he had just felt a slight touch of headache.
Them Moggallana praised his strength of concentrationt Sariputta said that Moggallana had been able to see that demon while he himself could not. (Ud. IV, 4)
Once Moggallana saw with the Divine Eye how Kind Pasenadi had been defeated in battle by the Licchavis, but that afterwards he had gathered his troops again and vanquished the Licchavis. When Moggallana told this, some monks accused him that he had falsely boasted about his supernormal faculties, which is a disciplinary offense making a monk subject to expulsion from the Order. The Buddha, however, explained that Moggallana had told only what he saw and what had actually happened. (Parajika IV, 95; case No. 17)
Above all, he often saw the operation of the law of Kamma and its fruits. Again and again he saw how human beings, due to their evil actions that harmed fellow-beings, were reborn among unhappy ghosts under-going much suffering; while others by their charitable deeds rose upwards to lower heavenly worlds that were close to the human plane. He often gave instances of this for exemplifying the law of kamma. The reports about this are too numerous for including them here. In two books of the Pali Canon, dealing with the ghost realm (the Petavatthu) and the heavenly abodes (the Vimanavathu), nine, respectively fifty-one, of such reports are given. From this it can be readily understood why Moggallana was famous as one who knew the worlds beyond as well as the workings of Kamma. The reports are too numerous for inclusion, but at least one of his recorded in the Samyutta Nikaya should be mentioned here (Samy. 19. 1-21 == Paraj. IV, 9; 15th case). Once Moggallana lived on Vulture's Peak, near Rajagaha, together with the Bhikkhu Lakkhana, one of the thousand Brahman ascetics who had been converted together with Uruvela-Kassapa.
One morning when they had descended from the peak for going on alms-round in the town, Moggallana smiled when they reached a certain place on the road. When his companion asked him for the reason, Moggallana said that now it was not the right time to explain it, he would tell it in the presence of the Master. When they later met the Buddha, Lakkhana repeated his question. Moggallana now said that at that spot he had seen many miserable ghosts flying through the air, chased around and tormented by various kinds of afflictions and sufferings. The Buddha confirmed this as absolutely true and added that he himself spoke only reluctantly about such appearances because people with superficial minds would not believe it. Then the Buddha, out of his universal knowledge, explained what propensities and behavior had brought those ghosts seen by Moggallana to their present pitiable position.
In The Stem Array, Chapter 4 (MEGHAŚRĪ), lines 4.7 - 4.33: “Noble one, through the power and might of my aspiration, through having the pure eyes of wisdom and the pure eyes of faith, and by looking straight ahead with the illumination of the light of wisdom, perceiving everything before me, the entire unobstructed field of vision, with a sight that is free of all obscuration, with astute observation, with a completely pure field of vision, and with a pure body, and bowing down toward the extent of every direction with a skillful bowing-down of the body, with the power of retaining the clouds of Dharma of all the buddhas, and with the might of the power of retention, I see the tathāgatas in the realms in every direction before me. “In that way, I see one tathāgata in the eastern direction; I see two buddhas, ten buddhas, a hundred buddhas, a thousand buddhas, a hundred thousand buddhas, ten million buddhas, a billion buddhas, ten thousand million buddhas, a trillion buddhas, a quintillion buddhas, and so on up to limitless, immeasurable, countless, inconceivable, unequaled, infinite, endless, incalculable, and more indescribable than indescribable numbers of buddhas. “I see tathāgatas as numerous as the atoms in Jambudvīpa, tathāgatas as numerous as the atoms in the world realm of four continents, in the world realm of a thousand four-continent worlds, in the world realm of a million four-continent worlds, and in the world realm of a billion four-continent worlds. “I see buddhas as numerous as the atoms in ten buddha realms. I see buddhas as numerous as the atoms in a hundred buddha realms. I see buddhas as numerous as the atoms in a thousand buddha realms. I see buddhas as numerous as the atoms in a hundred thousand buddha realms. I see buddhas as numerous as the atoms in ten million buddha realms. I see buddhas as numerous as the atoms in a billion buddha realms. I see buddhas as numerous as the atoms in ten billion buddha realms. I see buddhas as numerous as the atoms in a trillion buddha realms. I see buddhas as numerous as the atoms in a quintillion buddha realms. I see buddhas as numerous as the atoms in more indescribable than indescribable numbers of buddha realms. “Just as I see in the east, in the south, in the west, in the north, in the northeast, in the southeast, in the southwest, in the northwest, below, and above, I see one tathāgata and so on up to tathāgatas as numerous as the atoms in more indescribable than indescribable numbers of buddha realms. “In each direction I see tathāgatas of various colors, of various shapes, with various miraculous powers, with various majestic miracles, with various assemblies of followers, shining with networks of many light rays in many colors, in infinite colors, in an array of different pure buddha realms and palaces, with different kinds of pure lifespans, addressing beings in accordance with their aspirations, manifesting different kinds of miracles through the pure attainment of buddhahood, and resounding with the majestic lion’s roar of the buddhas. “In that way, noble one, I have attained mindfulness of the buddhas through beholding the aggregation of the knowledge of all objects of perception from all sides. “But how could I know the conduct or describe the qualities of the pure domain of the infinite wisdom of the bodhisattvas who have attained the gateway of mindfulness of the buddhas called the completely radiant domain through seeing before them the domains of all the tathāgatas, all the displays of pure buddha realms and palaces? “They are the ones who have attained the gateway of mindfulness of the buddhas called all beings through their pure vision of the tathāgatas addressing beings in accordance with their aspirations. “They are the ones who have attained the gateway of mindfulness of the buddhas called the ten strengths through following the immeasurable ten strengths of the tathāgatas. “They are the ones who have attained the gateway of mindfulness of the buddhas called the Dharma through listening to the Dharma while looking upon clouds of the bodies of all the tathāgatas. “They are the ones who have attained the gateway of mindfulness called the essence of the illumination of the directions through entering an undifferentiated ocean of buddhas in the ocean of all the directions. “They are the ones who have attained the gateway of mindfulness of the buddhas called entering the ten directions through perceiving the subtle objects of perception that are the majestic miracles of the tathāgatas. “They are the ones who have attained the mindfulness of the buddhas called the kalpas through perceiving the vision of never being apart from the tathāgatas of all the kalpas. “They are the ones who have attained the gateway of mindfulness of the buddhas called time through never being separated from the companionship of the vision of the tathāgatas of all times. “They are the ones who have attained the gateway of mindfulness of the buddhas called the realms through perceiving the vision of the superior buddha realms and the unsurpassable bodies of the buddhas. “They are the ones who have attained the gateway of mindfulness of the buddhas called the three times through their own motivations and aspiration conjoining within the domains of the tathāgatas of the three times. “They are the ones who have attained the gateway of mindfulness of the buddhas called locations through perceiving the vision of the arrival of the succession of the tathāgatas in all locations. “They are the ones who have attained the gateway of mindfulness of the buddhas called peace through perceiving in each instant the passing into nirvāṇa of all tathāgatas in all world realms. “They are the ones who have attained the gateway of mindfulness of the buddhas called separation through perceiving in one day in all places the departure of all the tathāgatas. “They are the ones who have attained the gateway of mindfulness of the buddhas called vastness through perceiving the body of each tathāgata while sitting cross-legged filling the realm of phenomena. “They are the ones who have attained the gateway of mindfulness of the buddhas called subtle through discerning the accomplishment of the appearance of countless buddhas on the tip of a single hair. “They are the ones who have attained the gateway of mindfulness of the buddhas called display through perceiving the vision in one instant of the manifestation of the miracles of the attainment of buddhahood in all world realms. “They are the ones who have attained the gateway of mindfulness of the buddhas called equality through attaining the radiance of the wisdom and miraculous display of the wheel of the Dharma by all the buddhas who have appeared. “They are the ones who have attained the gateway of mindfulness of the buddhas called mind through the vision of their own mind and thoughts attaining the radiance of all the tathāgatas. “They are the ones who have attained the gateway of mindfulness of the buddhas called karma through the vision of the images of the karma that has been accumulated by all beings. “They are the ones who have attained the gateway of mindfulness of the buddhas called miracles through the direct perception in all directions of the vision of the buddhas miraculously filling the entirety of the realm of phenomena with a vast bed of lotuses. “They are the ones who have attained the gateway of mindfulness of the buddhas called space through seeing the formation of clouds of the forms of the tathāgatas, resounding with their voices throughout space in the realm of phenomena."
"The realm of the Buddhas cannot be conceived. It is equal to the cosmos and space. It can clear away beings' net of delusion: This Flower Holding is able to expound. The Buddha-eye is pure and inconceivable: Comprehensively viewing all things, He points out to all the excellent paths: This Flower Light understands. The army of demons, huge, uncountable, He destroys in the space of an instant, His mind undisturbed, unfathomable: This is Diamond Topknot's technique" (Flower Fruit Scripture, 111)
"The Buddha-eye grants total awareness and understanding of all things; may all sentient beings perfect the universal eye, comprehending all realms without hindrance; may all sentient beings attain the pure, unclouded eye, realizing the realm of sentient beings is empty and has no existence; may all sentient beings be fully endowed with the pure unobstructed eye and all be able to consummate the ten powers of the enlightened.' This is great enlightening beings' dedication of roots of goodness when giving eyes, to cause all sentient beings to attain the pure eye of universal knowledge... "Great enlightening beings have ten kinds of eye: the flesh eye, seeing all forms; the celestial eye, seeing the minds of all sentient beings; the wisdom-eye, seeing the ranges of the faculties of all sentient beings; the reality-eye, seeing the true character of all things; the buddha-eye, seeing the ten powers of the enlightened; the eye of knowledge, knowing and seeing all things; the eye of light, seeing the light of Buddha; the eye of leaving birth and death, seeing nirvana; the unobstructed eye, its vision without hindrance; the eye of omniscience, seeing the realm of reality in its universal aspect. Based on these ten, enlightening beings attain the eye of supreme knowledge of buddhas." (591; 1082)
Five Eyes (ファイブ・アイズ, Faivu Aizu) Five levels of perception: the physical eye, the celestial eye (clairvoyance), the eye of wisdom (perceiving emptiness of absolute reality), the objective eye (seeing things in the relative world as they are in fact, without subjective projection), and the Buddha-eye (including all of the preceding four eyes) (1634)
Ten Eyes (テン・アイズ, Ten Aizui) - The physical eye, the celestial eye, the eye of wisdom, the objective eye, the Buddha-eye, the eye of knowledge, the eye of light, the eye leaving birth and death, the unobstructed eye, the eye of omniscience. (1640)
The Buddha had clairvoyance and could see everything that was happening. That being said, the Buddha can see everything with his divine eye (the intentions of all beings, all three times simultaneously) as clearly as you could see something in the palm of your hand, so there's no one that has a chance at "beating him in battle."
"If one thinks of a bit of the Buddhas virtue, The mind concentrating on it for even a moment, The fears of the evil ways will be banished forever: Wisdom eye profoundly realizes this" (Avatamsaka Sutra, 41)
"The Vast eye of the Buddha Is pure and clear as space Seeing all beings with complete clarity. The great light of the Buddha Body Illumines the ten directions Manifesting in every place traveling Everywhere sees this way. The Buddha Body is like space unborn, it clings to nothing. It is ungraspable and without inherent nature. This is seen by wind of Good Omen. The Buddha, for countless eons Has expounded all holy paths Destroying barriers for all beings This Sphere of Perfect Light understands" (62)
"Buddha sees beings always afraid, whirling in the Ocean of birth and death. He shows them the Buddhas unexcelled way; Dragon Topknot, comprehending, gives rise to joy. The realm of the Buddhas cannot be conceived-- It is equal to the cosmos and space-- It can clear away beings’ net of delusion: This Flower Holding is able to expound. The Buddha eye is pure and inconceivable comprehensively viewing all things" (69)
"[The] Buddha’s Eye is as vast as Space; He sees the entire cosmos. In the unimpeded state, with unequalled function, All Buddhas can tell of this eye. All sentient beings are totally bound; all their intoxications and habits Buddha causes to be removed by his methods, appearing throughout the world" (101-102)
(2) Tennitsu: "the divine ears" capable of hearing any sound at any distance. The second type is the power of celestial hearing: able to hear all the sounds in the world, without obstacles. A person who has the power of celestial hearing can hear all sounds clearly, can hear the sound behind obstacles, no matter how far away. Of course, this has to be distinguished from auditory hallucinations. Auditory hallucinations are a mental illness, while the power of celestial hearing mentioned here is a real supernatural power, which is completely different. This is the second type. "If he wants, he hears — by means of the divine ear-element, purified and surpassing the human — both kinds of sounds: divine and human, whether near or far. He can witness this for himself whenever there is an opening.
(3) Tashintsu: the ability to know others' mind and thoughts. The third type, the power of mind reading: able to know the thoughts of the beings in the three worlds and six realms, and able to know what sentient beings are thinking and thinking of. Therefore, a person who has the power of mind reading will not worry about being plotted by others. For example, what's called telepathy today belongs to the category of the power of mind reading. This is the third type. "If he wants, he knows the awareness of other beings, other individuals, having encompassed it with his own awareness. He discerns a mind with passion as a mind with passion, and a mind without passion as a mind without passion. He discerns a mind with aversion as a mind with aversion, and a mind without aversion as a mind without aversion. He discerns a mind with delusion as a mind with delusion, and a mind without delusion as a mind without delusion. He discerns a restricted mind as a restricted mind, and a scattered mind as a scattered mind. He discerns an enlarged mind as an enlarged mind, and an unenlarged mind as an unenlarged mind. He discerns an excelled mind [one that is not at the most excellent level] as an excelled mind, and an unexcelled mind as an unexcelled mind. He discerns a concentrated mind as a concentrated mind, and an unconcentrated mind as an unconcentrated mind. He discerns a released mind as a released mind, and an unreleased mind as an unreleased mind. He can witness this for himself whenever there is an opening."
(4) Shukumytotsu: the ability to know former lives of oneself and others. The fourth type, the power of knowing past lives: able to know the past karma of oneself and the beings in the three worlds and six realms, and to know the causes of present and future retributions. Therefore, people who have the power of knowing past lives can remember things in their past lives clearly and know them like the back of their hands. This is the fourth type. "If he wants, he recollects his manifold past lives (lit: previous homes), i.e., one birth, two births, three births, four, five, ten, twenty, thirty, forty, fifty, one hundred, one thousand, one hundred thousand, many aeons of cosmic contraction, many aeons of cosmic expansion, many aeons of cosmic contraction and expansion, [recollecting], 'There I had such a name, belonged to such a clan, had such an appearance. Such was my food, such my experience of pleasure and pain, such the end of my life. Passing away from that state, I re-arose there. There too I had such a name, belonged to such a clan, had such an appearance. Such was my food, such my experience of pleasure and pain, such the end of my life. Passing away from that state, I re-arose here.' Thus he remembers his manifold past lives in their modes and details. He can witness this for himself whenever there is an opening.
(5) Jinsokutsu: the ability to go anywhere at will and to transform oneself or objects at will. The fifth type is the power of transformation: the power of transformation is also known as "the power of wish-fulfilling", that is, the ability to be free and unhindered, do whatever you want, and have tens of billions of incarnations. With this supernatural power, you can manifest freely, fly freely, and transform freely in the state of the Six Dusts and travel through the past, present, and future at will, with no obstacles or limits by time and space, such as "traversing time and space" and "momentary movement" that are often said now, all of which belong to the category of this supernatural power. With the power of wish-fulfilling, everything can be done as one wants, such as drilling into the sky and the earth, moving mountains and overturning the sea, calling for wind and rain, and soaring through the clouds and riding fog, all of which are not a problem. This is the fifth type.
"If he wants, he wields manifold supranormal powers:
Having been one he becomes many; having been many he becomes one.
He appears.
He vanishes.
He goes unimpeded through walls, ramparts, and mountains as if through space.
He dives in and out of the earth as if it were water.
He walks on water without sinking as if it were dry land.
Sitting crosslegged he flies through the air like a winged bird.
With his hand he touches and strokes even the sun and moon, so mighty and powerful.
He exercises influence with his body even as far as the Brahma worlds.
He can witness this for himself whenever there is an opening." These are slightly lower versions of the Pure Eye's versions of these powers.
No one is capable of harming a Buddha, even slightly.
1. Sahaloka (World of Endurance) signifies our universe (trichiliocosm) from hells to heavens. Each of this universes or trichiliocosm are limited in space
2. The term "pure land" occurred first in Chinese language as an equivalent of "buddha land" and they are synonyms.
3. They can be both nirmanakaya and sambhogakaya.
4. There are many worlds, many universes.
5. Something physical is not automatically impure. Only the mind can be impure. And yes, from the very word "land" comes that buddha lands have an appearance perceptible by the five physical senses. In Buddhism only the highest heavens of the formless realm are without physical qualities. Amitabha's Pure Land is above highest heavens, outside samsara and triple realm? In which sense can the physical senses apply to Amitabha's Pure Land. worlds of buddhas are separate from the six samsaric realms. However, in Buddhism "physical" (rupa) means simply the four elements that actually correspond to fundamental sense-perceptions of heat, solidity, movement and cohesion. When there is a visible object, it is rupa. When there is an auditory object, it is rupa, etc. It's not like assuming some essentially physical behind perception.
Sudhana saw, issuing forth from Sāgaradhvaja’s eyes, hundreds of thousands of sun disks as numerous as the atoms in countless buddha realms, filling the realm of phenomena of all beings and illuminating all the great hells, dispelling darkness in the world; eliminating the darkness of ignorance within beings; bringing to an end the suffering of cold experienced by the beings in the cold hells; shining white light rays over the realms that are made of earth; shining light rays the color of beryl over the realms that are made of gold; shining light rays the color of gold over the realms that are made of beryl; shining light rays the color of silver over the realms that are made of gold; shining light rays the color of gold over the realms that are made of silver; shining light rays the color of crystal over the realms that are made of gold; shining light rays the color of gold over the realms that are made of crystal; shining light rays the color of white coral over the realms that are made of gold; shining light rays the color of gold over the realms that are made of white coral; shining light rays the color of gold over the realms that are made of red pearls; shining light rays the color of red pearls over the realms that are made of gold; shining light rays the color of gold over the realms that are made of emerald; shining light rays the color of emerald over the realms that are made of gold; shining light rays the color of sunstones, the kings of jewels, over the realms that are made of sapphire; shining light rays the color of sapphires, the kings of jewels, over the realms that are made of sunstones, the kings of jewels; shining light rays the color of the kings of jewels, the essences of the disk of the aggregation of moonstones, over the realms that are made of red pearls; shining light rays the color of red pearls over the realms that are made of the kings of jewels, the essences of the disk of the aggregation of moonstones; shining light rays that have the colors of various kinds of jewels over the realms that are made of a single kind of jewel; and shining light rays that have the color of a single kind of jewel over the realms that are made of various kinds of jewels; thus engaging in measureless activities for beings within all the assemblies of pupils of bodhisattvas. Sudhana saw, issuing forth from the ūrṇā hair between Sāgaradhvaja’s eyebrows, a multitude of moons as numerous as the atoms in countless buddha realms, filling the ten directions of the realm of phenomena and overpowering all lords of devas, turning all the world away from delighting in desires, praising delight in seeing the buddhas, and dedicated to guiding measureless beings. Sudhana saw, issuing forth from the Sāgaradhvaja’s forehead, Mahābrahmās as numerous as the atoms in countless buddha realms, filling the ten directions of the realm of phenomena, who had a peaceful deportment, spoke with the voice of Brahmā, supplicated all the buddhas for instruction, eulogized all the buddhas, gladdened all bodhisattvas, and were dedicated to measureless benefit for beings. Sudhana saw, issuing forth from Sāgaradhvaja’s head, bodhisattvas as numerous as the atoms in countless buddha realms, filling in each instant of mind the ten directions of the realm of phenomena, manifesting bodies that had various colors, forms, and adornments, revealing bodies beautified by the features of a great being, and emanating infinite clouds of halos. From all their pores there commenced the emanation of the past bodhisattva conduct of all buddhas, revealing clouds of the processes of acts of generosity with their givers, recipients, and gifts.
Using this capability to do whatever is desired, they can then create a buddhakṣetra (T. sangs rgyas zhing སངས་རྒྱས་ཞིང་; C. focha 佛刹), or "buddha field," is the realm or domain of a specific buddha. Notable buddha fields include Sukhavati, the realm of Amitabha, and Abhirati, the realm of Akṣobhya. According to the Princeton Dictionary of Buddhism, a buddha field has two aspects:
the container (bhājanaloka)
the sentient beings (sattvaloka) Buddha fields are created as a result of the following activity of the bodhisattva/buddha:
accumulation of merit (puṇya-saṃbhāra)
accumulation of wisdom (jñāna-saṃbhāra)
the vow taken by the bodhisattva when they embark upon the path to buddhahood From these three activities, the "container" or inanimate part of the buddha field is created. The sentient beings (sattva) in the buddha field consist of the beings who are reborn in that field as a result of the past merit and aspiration prayers. Two types of buddha fields are identified, based on their level of purity:
impure buddha fields: these are synonymous with cakravāda, worlds systems
pure buddha fields: also called pure lands (a translation of the Chinese term jingtu); these are created by a buddha upon his enlightenment, and typically do not include the "lower realms" of animals, hungry ghosts and hell beings.
"Then, by the spiritual power of Buddha, and as a result of the natural order, the worlds of the ten directions, as many worlds as atoms in a hundred million buddha-lands, quaked in six ways, with eighteen char- acteristics — they trembled, trembled intensely, trembled everywhere intensely, shook, shook intensely, shook everywhere intensely, quaked, quaked intensely, quaked everywhere intensely, resounded, resounded intensely, resounded everywhere intensely, stirred, stirred intensely, stirred everywhere intensely, roared, roared intensely, roared every- where intensely. Untold unspeakables Fill all unspeakables; In unspeakable eons Explanation of the unspeakable cannot be finished. If untold buddha-lands are reduced to atoms, In one atom are untold lands. And as in one, So in each. The atoms to which these buddha-lands are reduced in an instant are unspeakable, And so are the atoms of continuous reduction moment to moment Going on for untold eons; These atoms contain lands unspeakably many. And the atoms in these lands are even harder to tell of. Counting this way for unspeakable eons, Using unspeakable numbers, Counting eons by these atoms. One atom stands for ten myriad unspeakable numbers of eons. If you praise a single Universally Good for that many eons. It would still be impossible to exhaust the amount of virtue of Universal Good. On a point the size of the tip of a single fine hair Are unspeakably many Universally Goods; The same is true of all points All throughout the cosmos." (Flower Fruit Scripture, 892)
(6) Rojintsu: the ability to destroy all evil passions. The sixth type, the power of extinction of leakage: "leakage" refers to afflictions. This supernatural power is obtained by cutting off delusions, eradicating all karmas of afflictions and delusions, leaving the reincarnation of birth and death forever, and being liberated. This is the ultimate supernatural power in Buddhism. Among the six types of supernatural powers, it should be pointed out that as for we beings in the six realms, such as celestial beings, human beings, ghosts and spirits, etc., some of us obtain acquired supernatural powers due to practicing worldly meditation; there are also some people who are born with innate supernatural powers from karmic effects as soon as they are born. Celestial demons possess the first five supernatural powers, so they can manifest all kinds of marvelous places. Beings like celestial beings, human beings, ghosts, and spirits can possess one or more of the five supernatural powers, and their abilities vary in depth and strength. Only the sixth type, the power of extinction of leakage, can be achieved only by practicing inner observation and eliminating afflictions in accordance with the principles of scriptures and teachings. It must be achieved only by relying on wisdom. Among the six types of supernatural powers, the first five supernatural powers can be achieved by all celestial beings, ghosts, spirits, and even us ordinary beings. Only the sixth supernatural powers, the power of extinction of leakage, can be achieved only by the saints who have completely left birth and death and been sainted from ordinary beings. Therefore, this supernatural power is the rarest, and it is also the most ultimate supernatural power that we Buddhist disciples pursue. A frequently used synonym for buddha. According to different explanations, it can be read as tathā-gata, literally meaning “one who has thus gone,” or as tathā-āgata, “one who has thus come.” Gata, though literally meaning “gone,” is a past passive participle used to describe a state or condition of existence. Tatha(tā), often rendered as “suchness” or “thusness,” is the quality or condition of things as they really are, which cannot be conveyed in conceptual, dualistic terms. Therefore, this epithet is interpreted in different ways, but in general it implies one who has departed in the wake of the buddhas of the past, or one who has manifested the supreme awakening dependent on the reality that does not abide in the two extremes of existence and quiescence.
"If he wants, then through the ending of the mental effluents, he remains in the effluent-free awareness-release and discernment-release, having known and made them manifest for himself right in the here and now. He can witness this for himself whenever there is an opening." "When he is rid of them, there remain the moderate impurities in the gold: coarse sand & fine grit. He washes the gold again & again until he has washed them away. "When he is rid of them, there remain the fine impurities in the gold: fine sand & black dust. The dirt-washer or his apprentice washes the gold again & again until he has washed them away. "When he is rid of them, there remains just the gold dust. The goldsmith or his apprentice, having placed it in a crucible, blows on it again & again to blow away the dross. The gold, as long as it has not been blown on again & again to the point where the impurities are blown away, as long as it is not refined & free from dross, is not pliant, malleable, or luminous. It is brittle and not ready to be worked. But there comes a time when the goldsmith or his apprentice has blown on the gold again & again until the dross is blown away. The gold, having been blown on again & again to the point where the impurities are blown away, is then refined, free from dross, pliant, malleable, & luminous. It is not brittle, and is ready to be worked. Then whatever sort of ornament he has in mind — whether a belt, an earring, a necklace, or a gold chain — the gold would serve his purpose. "In the same way, there are these gross impurities in a monk intent on heightened mind: misconduct in body, speech, & mind. These the monk — aware & able by nature — abandons, dispels, wipes out of existence. When he is rid of them, there remain in him the moderate impurities: thoughts of sensuality, ill will, & harmfulness. These he abandons, dispels, wipes out of existence. When he is rid of them there remain in him the fine impurities: thoughts of his caste, thoughts of his home district, thoughts related to not wanting to be despised. These he abandons, dispels, wipes out of existence. "When he is rid of them, there remain only thoughts of the Dhamma. His concentration is neither calm nor refined, it has not yet attained serenity or unity, and is kept in place by the fabrication of forceful restraint. But there comes a time when his mind grows steady inwardly, settles down, grows unified & concentrated. His concentration is calm & refined, has attained serenity & unity, and is no longer kept in place by the fabrication of forceful restraint - The ability to destroy all passions and restraints.
Notable Techniques[]
The Haalahala.
Haalahala (, Haraharu) is a lethal poison similar to inferno known as haalaahala has started to fulminate therefrom, by which the whole universe of gods, non-gods and humans is burnt down. Fourteen different ratnas (treasures) were recovered from this episode, which were distributed between the two clans. But before the amrita could be formed, Halāhala was produced, which started injuring both sides. As no one could bear the lethal fumes emitted by the poison, both the devas and the asuras began to collapse due to asphyxiation. Halahal ~ the great poison of Samudra-Manthan and was there to balance Amrit generated from Manthan. During the Sagar Manthan by the gods and demons, haalaa-hala, a pot of poison also came out of the ocean. This terrified the Gods and demons as the poison was so toxic that it effects would have wiped out the entire creation. A drop of halahal has equally opposite effect as a drop of Amrit has. A single drop of Amrit made Devtas immortal and a single drop of Halahal would have ended them all. It is said that it is capable in ending immortality of Devtas. The Halahal was so dangerous and powerful, just by mere contact with the poison made few asuras lose their lives, and all the Devas fainted and started to get perishable. So, halahal was the great poison of Samudra-Manthan and was there to balance Amrit generated from Manthan. A drop of halahal has the opposite effect as a drop of Amrit has. A single drop of Amrit made Devtas immortal and a single drop of Halahal would have ended them all. Now, when Samudra-Manthan was happening the mountain began to sink which then was supported by the turtle form of Shree Hari. Hari was now officially behind Samudra-Manthan and how can things which are directly related to God be destroyed. The Halahal was so dangerous and powerful, just by mere contact with the poison made few asuras lose their lives, and all the Devas fainted and started to get perishable. Then everyone requested the Mahadev, to save the entire Universe from getting extinct from the Halahal (poison) and spread into the atmosphere ( air pollution ) and would kill all the living beings. Or if the poison was in solid form, then Shiva's third eye power would convert it into ash. Even that ash if inhaled could cause harm. If the halahal poison is buried in the soil, it may cause the entire soil to get polluted, thus killing all the flora. The Halahal ash might travel from the soil into the ocean , and kill all the marine life. With the Kaal-Kuta Halahala (poison of death), the entire cosmos would have ceased to exist. It was a very strong poison that could have eradicated a lot of life. I think it is highly radioactive material. HalaHala is the most powerful poison in this entire multiverse. You can consider that as a composition of all the manifestations of poison in this whole multiverse. Like it is the darkness that can burn everything back to nothing. It is the absolute negative composition of Prakrithi(outcome, which is the ocean that Devas were churning) of source of manifestations. It is the ultimate Maaya. Who can control this now? The one who is beyond Prakrithi and so who is never affected in his body and mind whatsoever happens. That must be someone who has supreme consciousness. What is the form of supreme consciousness that is never unaffected by Maaya. Halahal vish” or diabolic poison, it was so poisonous that it started polluting entire environment. To prevent the destruction of environment, Lord Shiva drank it and held it in his throat, thus saving the world from its menacing effects. It was so poisonous that it would have destroyed any prakritik(natural) thing coming in contact with it. The entire Universe would have been Collapsed due to destructive effect of the Poison. As is said in Śrī Śiva Mahāpurāṇa, Śatarudra Saṃhita, Chapter 22: “For the protection of the gods, Śiva, favourably disposed towards his devotees, voluntarily retained the Kālakūṭa in his neck and held the moon on his forehead.” No deity could control or ensure that Halahal doesn't cause harm. Even Vishnu became blue while trying to contain the poison. Devas ran to Lord Shiva as He is the one and only God who can take on the might of anyone and anything because He reigns every heart with his awareness, the sense of being that “I AM”. The final jurisprudence rests with Him alone. He wanted to be known as Nilkanth lest his conquery over death could be questioned. He is the one known as Mrityunjaya and no one else. He wanted to save the universe and its diverse denizens from certain destruction before their prescribed longevity. He is shown as a destroyer but he destroys only the evil and perpetrators of evil. The power to protect was assumed by Him as Vishnu was temporarily incapacitated. The poison came from the mouth of Vasuki, the serpent who is adorning the neck of Shiva. Halahala, also known as Kalakoota, was a poison that was the first item to surface from the ocean bed. It was so lethal that it could have wrecked the universe.
He also has several Dragon Techniques:
Amenosakatama (天逆玉, Literally meaning: Heavenly Reversing Sphere) allows Karamitsuku to manifest several diminutive orbs of composed malleable purple energy and strange physical matter near his being. It is said that these spheres contain some of the physical essence of Ryujin. As long as there is Natural Energy in the area, the spheres remain indefinitely. They can also be generated on the surface of objects. For or example, he is capable altering their size to great magnitudes to fit the situation and the opponent(s) before him and often times, making them utterly unnoticeable which makes the debilitating to dauntless courage. By understanding the power of "all things in nature" (しんらばんしょう, Shinra Banshō) and the use of a remote kekkai kuiki (結界区域, Literally meaning: barrier space), Tatsuryuu can manipulate the spheres to greedily absorb the chakra and natural energy of any construct that come near them. Meaning, all objects that come within a certain range of the Amenosakatama spheres will become drained of life sustaining energy and this indefatigable process becomes essentially instant the closer they get. Due to their ability to affect the ritai (理体, Literally meaning: Essence of All Things), all objects that possess chakra or natural energy will not be able to touch or reach the spheres at all. No matter the size, or how fast the technique is, it is deemed almost impossible to reach them through conventional means without being drained of nearly all their chakra thus their physical energy. In the terms of both defense and offense, it is seen as the pinnacle of achievements.
Tensaichitaihen (天災地変大変, Literally meaning: Catastrophic Natural Disaster) is a disastrous technique used by Tatsuryuu and the resulting explosion creates a massive cloud which initiates a series of natural disasters such as earthquakes, thunderstorms, heavy rain and turbulent winds. The sky darkens with a wicked red hue that spans as a far as the normal eye can see. Due to the cenote quickly forming, a hellish suction force will continuously draw everything in from beyond the circumference of the hole itself for few hours after the initial explosion, marring the landscape.
Ryūhimenomikoto — Amenosakatama (竜姫命 — 天逆玉リュウひめみこと — あめさかたま, Literally meaning: Noble Dragon Princess — Heavenly Reversing Sphere) By using "all things in nature" (森羅万象しんらばんしょう, Shinra Banshō) and Shinpiryoku (神秘力しんぴりょく, Literally meaning: Mystical Power), Tatsuryuu can cause the celestial bodies to grow tails in similar appearance to a comet and with might that is a clear magnitude or perhaps several, above the former which can annihilate planets.
Daienkyōchi (大円鏡智, Literally meaning: Great Perfect Mirror Wisdom) is a remarkable technique designed by Karamitsuku. It is a technique that is bereft of the mortal trappings and comprehension of the way chakra is perceived to function and instead requires Shinpiryoku (神秘力, Literally meaning: Mystical Power) and a deep understanding of what is known as Mystic Wisdom. It requires no hand signs to initiate, and its brilliant effects are translated spontaneously according to the mirrors own divine will. Even the brightest minds will have an abysmal understanding of its meticulous mechanics. The all-pervading influence of this technique is just as auspicious as it is bewildering is seemingly granted by the edification of the Three Pure Ones. The Daienkyōchi exists on the mental, physical and spiritual planes and as such, it has no "true" form. It could very well be coined imperceptible as even with the mightiest of eyes and the greatest of sensing abilities are unable realize the existence of it. It is completely undetectable except for those that possess the Dragon Eyes or the eyes of Dharma, it cannot be interacted with by those in the physical realm. Those that have transcended to the realms beyond are able to see the Daienkyōchi in the astral plane, but this is few and far in between and even then, they cannot interact with it. In short, with its coaxing and conquering winsomeness, the Daienkyōchi acts as a one-way mirror. When done so, the Daienkyōchi will contain a reflection, which is commonplace for most mirrors, of everything that Tatsuryuu can see and sense no matter the source of the object in question it's reflections will show in the Daienkyōchi. Through a concurrent and comprehensive design, the mirror is able to reflect damage that is done to Karamitsuku back to its source. In the physical realm, the reflection automatically inflicts damage before the attack happens, with the mirror acting as a true absolute counter to its opponent.
Eight Divine World Serpent Formation (八神聖世界大蛇陣, Yagamikyoshi Sekai Daijajin) as borders of this barrier are impossible to reach, as the distance required to reach it will always be the exact same no matter how fast they attempt to move. It appears as if they barrier is creating space to keep all objects away from its borders. This curse essentially resembles consciousness and if the very barrier is "self-aware". All methods of reaching the borders that exists within the six realms, regardless of intensity, direction or type will not exit. The barrier also prevents all egress of space-time ninjutsu.
Eight Heavenly Pillars (捌天柱, Hachiamahashira) is a technique that allows Tatsuryuu to instantly manifest several pillars from the Dragon Palace. These pillars boast an absolute crushing force due to the speed at which they appear in this world. Without so much as even the slightest movement, Tatsuryuu can cause these elegant pillars to always appear only a few inches above a target. Even if the target is moving at high speeds, the massive pillars will still appear directly over their heads. Because of the timeless nature of the Dragon Palace, these pillars will always be in pristine condition; one pillar can at least have the mass of a world with their size varying from a tree to a mountain in size. The very moment they appear, the pillars will disrupt the flow of chakra of all surrounding entities. Their will and fighting spirit will be suppressed within a few dozen meters of the heavenly pillars and their Killing Intent becomes completely nullified as he also can also control the velocity at which the pillars descend so that do not instantly crush a target or if he were subject to the effects of the pillar, the ability to manipulate chakra becomes completely nullified. The pillars can not be shrunk by the siddhi of Anima, with their crushing force transcending the very concept of mass.
Jinginotenshu (神器之天主, Heavenly Lord of Celestial Treasures) are cubes which Tatsuryuu can summon at will that lack the definition of weight or gravity. The Jinginotenshu affords him temporal progression. Additionally, he is able to manifest translucent cubes which possesses supernatural abilities. The cubes themselves are essentially weightless and targets are unable to physically interact with them. The metaphysical aspects of the cubes allow them to alter the perceptions of time of those that are near them. The size and dimensions of the cube can be swiftly changed at a moment's notice. The cubes are incredibly fast, and, in some cases, unavoidable as even instantaneous reactions speeds are essentially will appear stagnant for Tatsuryuu as he can cause the cubes to encase itself around targets and inflict an ineffable form of stasis or temporal stasis upon them. Affected targets will be unable to perform any functions as they are frozen in time and are perfectly preserved in the state that they were trapped in; although, if Tatsuryuu wills it, the opponent can die. In this isolated space, all events in the material world will become zero, granting Tatsuryuu immeasurable speeds. Other cubes are able to sends targets to future a location unbeknownst to them as the Dragon King will know their projected destination and will launch an essentially unavoidable attack as the attack itself was launched into a time that has yet to transpire. Aside from using the cubes, Tatsuryuu himself is able to transport objects or himself to a future state or location by generating a barrier space around the said object. This includes the progression of age for inanimate objects and even wounds or other baffling ailments for living entities. He is also able to understand potential future probabilities for up to ten minutes before the event actually takes place.
Sage Art: Dragon King Sea Palace Scriptures (仙法 • 竜王海宮城経, Senpō • Ryūōmigūjōkyō) which summons rain from the Dragon World, allowing Tatsuryuu to observe the enemy's biological data as the clouds are similar in appearance to celestial nebulae. The sky itself will gain a deep violet hue that expands over vast area and countless stars are also able to be seen as the rain makes contact with the opponent, each rain drop carefully stores the biological information of each entity that is hit by them. Additionally, the rain also slows down the movements of the opponent's as their life force is also absorbed by the rain making traditional escape difficult if not futile. This causes their joints to become sore as they slowly begin to age.
Sage Art: Endless Sky Saintness (仙法・竑天神聖, Senpō • Kōamatsushinsei) is the ability to manipulate objects within his line of sight or within his sensing area and move them about at his leisure; and unlike his Barrier, it does require natural energy as he is proficient at manipulating several objects at once while at a dubious distance and can be used to immobilize or slow the trajectory of any target target as long as he can either see or sense it. This technique can also affect physical, or energy based jutsu just the same. This is also used to change the directory of attacks and cause them to avoid his location or even compress objects as he is ideally protected from assaults from all directions as long as the realm contains natural energy. If there is no form of ambient energy within the realm he is in, then this technique may be used with chakra instead.
Amenomahitotsu (天目一箇神) is a Divine Dragon Technique (Shinryujutsu) which summons the Seven-Branched Sword in which they innately alter the perception of time upon on onlookers and concurrent events. Thus, a single swing from the sword could be delayed or cause the target to experience them as a form of lag which makes them difficult to avoid and, in some cases, nearly impossible. He can even make wounds caused by the swords to appear well before he has attacked from the opponent's point of view. This includes making a slashing motion in a spot the opponent would appear at some time in the future and thereby inflicting damage upon them reaching that predetermined destination. Through Tatsuryuu's desire, the sword possess the ability to manifest spatial slashes through though alone which allows them to "cut" through nearly any construct. The sword can also cut through seven dimensions at least.
Sage Art: Jeweled Dragon King — Pearl of Light (仙法 • 瓊竜王 — 光の真珠, Senpō • Tamaryūō — Kōmakotoshu) is a technique used by both Ryujin and Tatsuryuu that emanates an unimaginably bright light that is said to shine through all things impure. By simply launching this sphere high into the sky and once the sphere reaches its threshold, it will cast an extremely mythical light the penetrates through all worlds and cannot be halted by any obstacle. Hiding behind obstacles, reflecting it, absorbing it or perhaps modestly closing one's eyes to block the light is folly in itself. An additional bonus is that the light intermittently disrupts them brainwaves of the opponent rendering them unable to efficiently correspond thoughts or actions until the technique is complete. Not only does this light incapacitate the opponent by temporarily removing their sense of sight but this light also begins to forcefully extract the life energy from the opponent's body and causes them to age vastly faster and he can summon natural disasters from the actual orb.
Sanseidō (三清導, Three Pure Ones Guidance) allows Tatsuryuu to manipulate spatial apertures at a moment's notice. The Dragon King is able to utilize these dimensional openings to travel astronomical distances and to any location. It may also be used to connect multiple spatial instances within the same dimension which includes the material world and the spiritual world as he can use this to control hyperspace.
World Serpent Oracle Bone Graveyard (冥途大蛇 お告げ骨墓地, Meidodaija Otsugekotsubochi) summons the very bones of the dragons who died on the Dragon World and these skeletal serpents bite or skewer the opponent, both the target and the skeletal remains of the colossal serpent are gradually reduced to naught but a pile bone ash further enforcing the notion of this being a certain kill technique. This process takes a couple of minutes and allows the target to sever the damaged parts if they are swift enough. Even if the target is said to be physically immortal, they can still be turned into a pile of ash, regardless of their defensive or regenerative abilities. If redirected, they will pass through Tatsuryuu's body and these skeletal serpents do not possess any chakra, lifeforce or even spirit and cannot be sensed through virtually any method. However, they can still be seen with the naked eye. They will chase the target down until their task is completed and will persist forever. He is able to manifest these bones spurs in the forms of meticulous weaponry to include swords, spears, crossbows, poleaxes, great hammers, curved sabers and glaives. He an even imbue the ashen effects of the serpents into the palms of his hands. Such a trait in cause indefatigable and seemingly irresistible damage to the chakra network as well as the individual cells of the targets. Any and all damage is deemed irrecoverable.
World Serpent Treasured Dharma Eye (如土大蛇 宝法眼, Nyododaija Takarahōge) allows Tatsuryuu to control conceptual poison. All targets whether allies or not, are inflicted with its all-killing venom as soon as they see the eye or if the eye sees them. The venom affects all organisms regardless of if they're consciousness or not and spawns directly within their bodies. The technique does not discriminate. This can affect all organic and inorganic matter within the medium range of this technique including, trees, water, the earth and even the air itself. The opponent does not die immediately from the venom as it takes a couple minutes for them to succumb to the effects of it. Tatsuryuu can secrete this venom from his skin and afflict targets on contact if he desires. Not only does this venom affect the physical forms, but it also affects the metaphysical aspects of the target and can even cause damage to the immaterial, the soul.
Fugurumayōhi (文車妖妃, lit. Strange Queen of The Scroll Cart) which allows Tatsuryuu to control paper and summon the World of Art to seal opponents into.
Gogyonomikoto (五行命, lit. Lord of the Five Phases) With a mere mental command, users are able to transform into water, earth, fire, lighting, and wind components at will. It could likewise be used in a supplementary manner, such as merging with the earth or wind for unimpeded travel as well as becoming lightning itself for instantaneous movement.
Hachidainetsujigoku (八大熱地獄, lit. Eight Great Hot Hells) is a torturous Divine Technique that grants Tatsuryuu lordship over the very concept of fire and heat itself. He could summon otherworldly fire with a mere thought in any space within his visual field, allowing him to induce combustion in anything he pleases also passively absorb the heat within a given range around him and likewise emit an intense heat, making his presence one that was always felt before noticed. With this ability to control heat, he was able to create a phenomenon where his fire could be "so cold that it burns" and somehow leave injuries resembling terrible frostbite. He could also spawn wickedly intense blue flames capable of lasting indefinitely - even he couldn't extinguish them. With it, he can inflict a burning hotter than what should be possible. No physical damage occurs, yet the poor soul experiences an agony so complete, that it ultimately cremates their mind and spirit.
Hachidaireikijigoku (八大冷気地獄, lit. Eight Great Cold Hells) is a spine-chilling Divine Technique used by him. With it, she can call upon bitter winds and ice as if from Naraka itself and a slight dusting of frost from her blizzards are able to inflict blisters, skin cracking, and excruciating frostbite. Those skewered or captured in his columns are frozen for all eternity, constantly experiencing death from the cold or being shattered into hundreds of pieces, but never able to find rest until he releases the technique.
Jìnghuā Shuǐyuè (鏡花水月) literally "Mirror Flower, Water Moon" is an illusionary technique that Tatsuryuu can use which forces his opponents into an illusory world under his control, solely composed of a beach on a moonlit night. The first part "Mirror Flower" (鏡花) forces the opponent to see a reflection of themselves, reflecting their inability to do anything but simply remain within the world. They can walk around but ultimately they are eternally trapped. Their soul and concept becomes tormented by the reflection; however upon looking at the reflection, the water around it cracks, shattering their mind since the reflection embodies such. It can also summon a flower that warps the environment of the beach but does nothing more. It controls the five senses to the point where it can make the target misinterpret another person's form, shape, mass, feel, and smell to be an enemy's for even the blind can be put under the illusion. It represents something that can be seen but not touched, like a flower reflected in a mirror or the moon reflected on the water's surface; something that is beautiful but unattainable dreams. The second part "Water Moon" (水月) instead focuses solely on the moon and sky; the light of the Moon glows silently, forcing the opponent to suffer from immense physical and mental pain that slowly wears down their willpower, ego and spirit conceptually, essentially ending the fight in that moment. If the beach is not summoned, Tatsuryuu can also apply it in the world by making himself immune to damage as long as the illusion is active. The Kanzen Saimin (Absolute Hypnosis) is absolutely flawless; even if the target is aware of being under the hypnosis, they cannot resist its influence.
Honei Ōbō: Araware (本影横暴:表れ, Umbral Tyranny: Manifestation) causes Tatsuryuu's shadow to undergo complex shape transformations and take on the form of sharp, tentacle-like appendages, large clawed hands for grasping or offensive purposes, and other constructs. His own shadow can also function as a powerful defense mechanism by manifesting it as a black spherical shield around himself. Honei Ōbō: Fūinjutsu (本影横暴:封印術, Umbral Tyranny: Sealing Technique) allows Tatsuryuu to seal a target within his body by casting a shadow onto himself. Honei Ōbō: Nijūshin (本影横暴:二重身, Umbral Tyranny: Doppelgänger) allows the user to impart his will into the shadow of others to animate it, making it a near exact copy of the target. This "clone" as powerful as its template and even has the ability to serve as a substitution for the user. While the doppelgänger exists, his restrictive techniques are rendered ineffective against the target as they no longer have a shadow until it eventually returns to them after a certain amount of time. Likewise, he must also wait the same period of time before he can reuse this specific technique.
Honoikazuchinokami (火雷神, literally meaning: Fervent Thunder God) is a Divine Technique (火雷神, Shinjutsu) gifted to Tatsuryuu. It is a shocking technique that grants him the power to generate brilliant gold lightning at will. He could evoke dreadfully powerful bolts of gold lightning anywhere from his body. He could use them as basic long range projectiles or infuse their weapons with this power to increase their efficacy. He could also cloak himself in this lightning to greatly increase his agility and strength. He could transform his lightning into elaborate constructs that act according to his will and remotely manipulate the electrical impulses in the brain of his enemies, granting him the power to; induce paralysis or scramble the neuro-pathways, puppeteer hapless victims, even reanimate the corpses of the dead by restarting their bodily functions without fail. As for the physical world, he could alter magnetic fields present in all things to create selective areas of powerful repulsion and attraction as well as a form of electromagnetic telekinesis.
Honraimuichimotsu (本来無一物ほんらいむいちもつ, Literally meaning: All Things Are Essentially Nothingness) is a Shinjutsu (神術, Literally meaning: Divine Techniques) of a foregone era. Honraimuichimotsu is a technique that allows Tatsuryuu to revert any object or living thing that resides in the material or spiritual world into a base form of thought, mere figment or awareness. Honraimuichimotsu activates itself by a mental command a can affect all or even a single object within the range of his thoughts or any that defy him. The conversion process takes exactly three seconds for living entities and a split second for inanimate objects, with the objects size being subjective. The affected objects will exhibit a drastic change from their current state of existence as their physical forms slowly fade into nothingness. Even spiritual entities that can be perceived by his by his thoughts and are therefore affected.
Honrainomenboku (本来の面目ほんらいのめんぼく, Literally meaning: One's True Nature) is a Shinjutsu (神術, Literally meaning: Divine Techniques) A technique with incredible mechanics almost beyond imagination and beyond the scope of mortal comprehension, with Honrainomenboku, desire, form and formlessness become one and the same. Should his physical form somehow become vanquished, he is able to reincarnate to those that bear an infinitesimal portion of his consciousness. When applied to a living thing, they become often swayed by Jinpachi’s desires and their reality becomes disorganized, as they will often see things that are not there or hear voices of someone close to them.
Zokasanshin (造化三神, Three Creation Gods) is a unique taijutsu. This vastly increases the range and destructive potential of her attacks. These ethereal shroud can pass right through objects, inflicting damage and inducing effects of various degrees depending on the function. Because of its ethereal nature, the attack can pass right through defences. This technique can be projected as projectiles or a beam, often travelling tens to hundreds of dozen of times faster than the speed of sound. This is exceptionally useful, as it can be used to absorb other jutsu, destroy them, or wreck havoc on objects and targets.
Jikonoikkasei (自己の一過性, literally meaning: The Non-substantiality of Self) is a Shinjutsu (神術, literally meaning: Divine Technique) which asserts that no worldly thing possesses a lasting essence or intrinsic nature. Anything affected by this technique vanishes, removed from reality the moment it is activated and persevered eternally as they are incapable of operating in a realm they simply cannot understand. Captured things can be reformed on a whim, displaced into different points in space.
Jin'dai is a Space-Time technique and his technique allows Tatsuryuu to transport himself to swiftly move throughout the current dimension, appearing as a form of teleportation. These transfers are characterized by a spiraling void that distorts his form as he moves between dimensions. He can also use this modality to move outside the current dimension to anywhere he pleases so long as he can visualize where he is going and trapped beings that do not belong are left in a state of suspended animation - they can be later ejected at will with great force.
The Dharma Wheel Reincarnation is an exalted reincarnation technique. It is a demonstration of his sovereignty over Regeneration. The monarch is able to manipulate the Opening and Closing of the Afterlife Gates (開閉幽世門, Kaihei Kakuriyomon), allowing him to summon forth souls and other forms of specters residing within Heaven, Hell, and other spiritual planes such as Limbo or Purgatory. These souls can be directed to take possession of others and overcome the victim's own, sending their soul to where they originate and making their body a vessel to contain them, granting them reincarnation. In the case of powerful targets, they can resist possession if their soul is stronger than the invading one. Reincarnated individuals will preserve all their knowledge as well as their personality and autonomy from their past life; however, there is no guarantee they will retain any of their unique abilities that stem from genetic abnormalities. This technique could also be used to prevent the passing of souls to the thereafter still within the living realm - in other words, souls currently in Limbo, hovering between life and death, can be forced back into their vessel to withhold death, but the injury that caused it will still exist.
Kāmarūpam (literally meaning, Assuming Any Form Desired) is a Shinjutsu (神術, literally meaning: Divine Technique) and Siddhi is a technique that allows its user to shapeshift into any form or individual within their sensing radius, even duplicating their chakra signature, clothing, tools, and abilities. However, any copied abilities are a far-cry from the full potential its true owner could draw out, even after delving into the mind of the subject to garner an understanding of it. Additionally, the user could perfectly transform into animals, flora, even wholly inanimate objects.
Kanayagonomikoto is a technique he uses to create a variety of weapons made entirely of chakra-impregnated steel forged from his body. He can manifest dozens of armaments at once and manipulate them telekinetically. As his steel is an extensions of his will, he could teleport directly to any construct he has created, even the smallest speck.
Katatagaenokami (方違え神, lit. A Divine Change in Direction) is a technique that reaches the sublimity of the divine. It grants the ability to alter the direction of the current realm along with those in his visual range, allowing him to accomplish the feat of abruptly re-orienting the dimension through incomprehensible means. Right could become down, backwards could become up, the sky suddenly below and the ground be above. These changes can happen quite rapidly, continuously, and with enough force could also manipulate the concept of direction itself, exchanging the definition of what each direction means for another. Those affected by this power may find their attacks going in an entirely different direction they intended or their evasion tactics foiled.
Mononoaware (物の哀れ, literally meaning: The Impermanent Yet Bittersweet Nature of Worldly Things) is a simple yet fearsome Shinjutsu (神術, literally meaning: Divine Technique) that tampers with the sensorial existence, suffering, and impermanence. It is predominantly seen as a sword to damage the metaphysical, like the sky, space, time, creation. Anything formed could be oscillated between a material and immaterial state, granting this technique the uncanny ability to ignore supposedly infallible protections, defences, and act upon anything including incorporeal or otherwise intangible entities with no assigned form or properties and imbued with the power to alter their attributes akin to the Yata Mirror. Even so much as being in the presence of these objects can inhibit one's abilities, sensory prowess, and stamina. Most interestingly, due to this connectivity, the Mononoaware could be made to emit an attractive force (引力, inryoku) or repulsive force (斥力, sekiryoku). Likewise, they could autonomously nullify or reflect nearly any means of attack and are hailed as virtually indestructible. As such, they have been referred to as an "absolute defense and offense" (絶対防御と攻め, zettai bōgyo to seme). They can also be shaped into any material and cause humongous explosions.
The Prayer Wheel Reincarnation (願輪転生, Ganrin Tensei) is a technique that can restore worlds and civilisations and is able to regenerate the world around him to its optimal state as far as his sight permits (His sight being many hundreds of billions of miles at the lowest end). It could be used to restore post-apocalyptic nations and sections of destroyed planets, as if they were never in ruin to begin with. Almost anything could be undone, even other warps in reality.
Shichininmisaki (七人みさき, lit. The Seven Spirits Who Go Before) is a spine-chilling Shinjutsu that overwhelms completely and leaves little room for the folly of hope with Tatsuryuu being able to summon the last seven beings who he has killed and his vision is linked to each soul as well as their chakra, allowing him to draw from them as needed. These souls retain all the abilities they had during their life as well as being restored up to the time of their death, and all possess their past personalities and act autonomously but according to the will of their summoner. They can be seen but not physically harmed.
Shiranui-Joō (不知火女王, lit. Mysterious Fire of the Water Queen) is a baffling Water Release Shinjutsu that leaves all who encounter it dead or in perpetual awe and fear of what they've experienced. This technique allows its user to manipulate or extract water and moisture around herself from the ground, atmosphere, even life itself, allowing her to use it if extracted as an autonomous defence or a frightening offence and could alter the properties of his water, allowing him to sharpen the droplets into wicked needles, heat it to boiling levels, or seamlessly freeze into ice. Needless to say, water becomes his domain.
Sōzō no Koe (創造乃声そうぞうのこえ, Literally meaning: Voice of Creation) is another shinjutsu as he is able to voice anything he wants to create, and it will appear. It does not matter if the declaration is physical, spatial or even conceptual. He is able to achieve anything and everything without any limit, no matter how impossible or contradictory, completely overriding all other forces and abilities like they didn't exist at all. From the simplest ideas to the greatest phenomenon is able to harbour them all within this confined area of space. The inscrutable nature of this technique allows him to not only embody creation, preservation and destruction, but infinity and nothingness as well. He can also create life and grant abilities. He is also able to create miracles and wishes "only" when the probability of an event reaches zero. These miracles that Tatsuryuu grants to himself seem to warp the flow of causality and probability. This creation of miracles can allow other users to perform miracles that are permanent with the wishes also being seemingly absolute, especially with mastery. In addition, they can control any probability and any event they desire. This includes quantum probabilities (which relate to the arrangement of, and interaction between microscopic entities) and those of a metaphysical nature (which are essentially the abstract or non-material equivalent of quantum probability). In practice, the user can achieve any result assuming that it is possible. This ability can also allow for the complete control of potentiality and potential conceptually. The user governs the potential of everything that is and isn't, thereby deciding whatever can and cannot happen - like whatever kind of interaction is able to take place, laying out a framework of impossibilities in the process that isn't opposable by any means, as to do so, the necessary potential is required in the first place. No matter how hopeless the situation, this power will overcome and solve it, zero percent chance of success means nothing to this ability and any obstacles facing it will be crushed. Due to Tatsuryuu's mastery, it is the power of the Supreme Voice: He can create, command, bend, destroy, and distort absolutely anything and everything just by speaking it into existence. A single word alone can have absolute supremacy over all of existence as they are capable of doing anything and everything with but one’s voice. With sentences and the intentions behind them users can do anything by vocally commanding things to their will. The user’s power can range from astronomical (universes, multiverses, omniverses, etc.) to conceptual (time and space). Users with this power can manifest their voice anywhere, he can do things like making his will real, becoming free, becoming perfect, etc, etc.
Tamayabunrei (霊屋分霊, lit. Spirit Housing Soul Division) is a frightening Shinjutsu that could interact with the minds and souls of the living to where she could swap them with others, effectively trading the essence of one being with another to forcibly and seemingly permanently switching their bodies. Victims, if placed within a suitable coil, retain any powers they possessed with the exception of ones tied to genetic traits and cause damage to occur not to the original user, but solely to the victims.
Gozutennōnokami (牛頭天王神, lit. Ox-Headed Divine King of Heaven) is a horrifying power that easily pushes beyond the boundaries of what constitutes as possible and the work of a god. Tatsuryuu could manipulate the decomposition of all things, granting him the ability to induce rapid aging, rotting, and decay. A simple release of this technique can crumble the environment, rapidly kill surrounding flora, and gradually hastens the rate of cellular death in fauna with the time required depending on the size of the victim. Prolonged physical contact greatly accelerates the process to where one could be aged several decades in only a couple moments and reduced to a putrid pile. Even the briefest of touches can prove to be quite troublesome as their anatomy, such as bones and muscles, are slowly but surely aged with each strike and start to become brittle and weakened.
Sage Art: Spiritual Detachment from the Impure World (仙法: 精神剥離穢土, Senpō: Seishin Hakuri Edo) is an otherworldly technique as he can envision and sift through Saṃsāra, whether it be the Hells, Pure Land, Limbo, or other planes. Likewise, they could perceive the aberrations that exist in those circles and among the living; no demon, soul, or spirit could be obscured from him. They are also able to ferry the souls of other living beings with them so long as they are in physical contact with one another, which serves as a means to connect their spiritual energy.
Yokubōnomamanishinu (欲望のままに死ぬ, literally meaning: Dying As Desired) is a Dragon Technique or Divine Technique that Tatsuryuu can use upon being damaged severely or near-death. In the event that the user "dies", their willpower is imparted into their corpse. No matter how mangled their corpse may be, their body will be reanimated in order to finish unfinished business whatever it may be - if the corpse is utterly destroyed, it will immediately regenerate the user and resurrect them, irrespective of injuries. In death, the user's energgy reaches entirely new heights, increasing their strength and potency of abilities many-fold. As they are already dead, they cannot be extinguished until they achieve their desire.
Skandhamāra (literally meaning: Māra, The Entirety of the Conditioned Existence) is a technique that tampers with the sensorial existence and the concepts of suffering and impermanence and could materialize a number of ghastly, selectively-incorporeal arms of varying sizes from seemingly nothingness. Possessing fine motor control and the faculty to react autonomously to any threat according to his will, their strength, speed, and resilience are beyond comparison; just a mere three strikes could pulverize a titanic meteor - even their existence allows defies logic and nullifies light.
Hirumitsutama (干満珠, literally meaning: Tide Ebbing and Flowing Jewel) is a Mysterious Dragon Art (奇怪龍法, Kikairyūpō) devised by the Dragon King Ryujin. Tatsuryuu could paradoxically create oceanic amounts of water from nothingness and accomplish heats such as splitting entire seas as a show of the Dragon King's dominion over water. These floods could be freely manipulated in any way he pleased such as fashioning elaborate constructs to spouting crushing torrents; he could also make water-based reflections of those his water may touch. The waters of Ryujin could be imbued with mystical properties such as complete healing, stamina restoration, or even restoring youth; on the other hand, she could pollute the water with deleterious effects as all negative effects for him become meaningless as this can be combined with Shiranui-Joo for devastating effects. Despite this technique's name, it could even be used to manipulate the weather. By sheer force of will, Tatsuryuu can create country-wide blizzards that last for anywhere from a day to several weeks.
Keijijō Shōshin (形而上焼身, Literally meaning: Metaphysical Self-Immolation) is a truly hiden technique that has been passed on with Tatsuryuu being able to dominate the souls of his opponents. To activate the technique, the user performs a hand seal that employs entropy within the biological system. This hand seal is called the Nandi Mudra, and it is a spiritual gesture that is synonymous with willing transmigration. The improper balancing of mental, physical and spiritual energy that make up the totality of the human invokes irreversible results when done to certain extremes. This causes the effect which eradicates the physical vessel by burning the mental, physical and spiritual that resides in them. Once started, the process takes ten seconds to complete and is irreversible in most cases. Thus, they do no exist in the Wheel of Life but exists on a fundamental level as merely components of a spirit. When burning, their body is covered in a white flame that slowly disintegrates their entire being. The flames do not burn with the sensation of heat but on the contrary, are somewhat cool to the touch and essentially harmless. However, their effects on the body is absolute. It is often used as a method to atone for one’s karmic imbalance as it leaves no spiritual, mental or physical trace of the user. The world is dominated by desire, materialism and is essentially world that is ominously fragmenting and fracturing apart. Life as we know it is on the verge of entropy and needs protecting whether willingly or not. However, the destined protector of samsara also has no desire to protect those souls and is indifferent to their fate. As heartless as it may sound, it is notion regarding a man who is at the centre of chaos and harmony. As mentioned before, the orbs will express desire to follow Tatsuryuu's mental commands and will protect him in his best interest. The white orb generates the physical energy that resides within us all. During combat, this orb will change its shape via "all things in nature" (森羅万象, Shinra Banshō) with it being Yang, granting a near-permanent ability to heal.
Yīnguǒ Bàoyìng (因果报应, literally meaning: The Fruit of Karma) is a divine technique (神術, Shinjutsu) borne from Tatsuryuu's Journey to the West, where Guanyin gave him a gift for his three life-saving hairs. This technique is truly insane. Using Yèguǒ, Guanyin could manipulate the law of karma, allowing her to decide what will happen, what will not, and how; lesser beings will say she is pulling the threads of fate themselves. With Dàguāngan's visual faculty to view the universal relationship between cause and effect, she can employ its power to paradoxically infringe upon the flow of karmic consequences, such as outright negating universal events as if they never occurred and reflecting the consequences of any action, word, or thought against her onto another medium. Guanyin could also harness the positive karma of those before her to grant blessings and miracles; in the same vein, she could deliver cosmic judgement to those with negative karma based off their wrongdoings. Whilst its not known how Tatsuryuu uses the technique, it is clear that his usage grants him the ability to make events irreversible and beyond reckoning for his opponents, forcing the consequences of the past, present and future to merge, killing the opponent with their actions. It is also the ability to perceive the flow of karma and determine the possible consequences for every action, word, or thought before they've even happened. As such, Tatsuryuu always makes the most optimal decision in any scenario to achieve the best possible results and has an intimate understanding of karmic maturation and control all fate on a conceptual level.
Devaputramāra (神の魔羅, literally meaning: Māra, The Byproduct of the Gods) is a baffling and utterly enticing Shinshurapō (神阿修羅法, literally meaning: Divine Warring Demon Art). It is a glorious, divine power truly beyond reproach which is capable of turning fantasy into reality and reality into fantasy, drawing out his own and the desires of others around him to make anything real. The sick or disabled could be healed with just a touch, Boons (恩恵, Onkei) could be bestowed that last for generations, the phenomena of the realms could be altered to what is willed, even entire worlds could be created. Mara, its original user, can use this frightening power to also achieve any of his reality-altering feats from Buddhism or other users (such as Tatsuryuu) who have a similar prowess can grant themselves boons that are said to be superior to Mara himself such as adamantine limbs or the ability to clone themselves with the same matter, form and equipment or even control Mount Sumeru, the axis of the Dharmic faiths on a cosmological level.
Gold Dust Brilliant Existence is a technique that allows Tatsuryuu, through attaching a Third Eye, that has recorded a multitude of techniques over thousands of years can allow him to control statues.
Kotoage (言挙, literally meaning: Invoking the Power of Words) is a Divine Technique (神術, Shinjutsu) and via lacing one’s vocal cords with Yin-Yang chakra and harnessing the power of domination, (支配, Shihai) the speaker is able to issue nigh-irresistible one-word commands such as “Stop”, “Silence”, or even “Surrender” . Those who hear them are compelled to obey. Commands can also be more abstract in nature, such as saying "Heal" to accelerate the healing process and can impose absolute and irresistible commands upon anything, including themselves, as well as natural and supernatural or living and non-living existences. The user can grant anyone anything or themselves any power simply by commanding it so. Though commands are usually spoken in words, the user's intentions are what truly matters; they can impose complex commands with a single word, through a specific gesture or a sheer act of will, unquestioningly bending anything and everything to their will with all their intents and meaning behind it. Tatsuryuu's mastery can allow him to change absolutely anything and everything, either completely or partially, permanently or temporarily, from physical things like humans and objects to metaphysical things like concepts and logic, etc. regardless of the target's immunities, simply by commanding the change to take place as well as complete and total hold over the emancipation or enthrallment of any and all concepts, such as free will, personal capability, universal/esoterica flow and even power of personal thought process or individual characteristics. A single command from the user can dominate or free absolutely anything/everything, grant absolute and perfect wishes to themselves and/or others without any limitations, simply by commanding that the wish be granted. They can even make vague or inconceivable wishes come true no matter what, as their power always makes the wishes come out the exact way the wisher intended and desired. If the user wills it, the act of wishing itself can be considered a means of command and grant complete, true control over any dominion the user desires; The user's orders, decisions and dictated laws are completely irrefutable and impossible to disobey, with their authority surpassing and superseding even supernatural and divine authorities.
Senjujūichimenkami (千手十一面神, literally meaning: Thousand-Armed and Eleven-Headed God) is a Divine Technique (神術, Shinjutsu) and with this glorious ability, Kanzeon could summon a titanic, thousand-armed and eleven-headed gold construct of himself reinforced with Yin-Yang chakra and Metaphysical Energy. As a metaphysical creation, there is nothing it cannot act upon, even spiritual and otherworldly entities; neither can it be conventionally perceived by those unable to comprehend astral planes. When not attacking, the construct appears to be meditating while sitting cross-legged in a lotus flower. With a concentration of Yang chakra, it can emit a pervasive, soothing and healing aura that can be extended to its arms. Anything it touches is healed of what ails them ranging from physical injuries, mental illnesses, as well as genetic defects. The dead can even be reanimated as mindless thralls bound to Tatsuryuu's will. It can generate illusions from Kanzeon's imagination that are utterly indistinguishable from reality. Entire destinations can be somehow be warped into his image and even the passage of time seems to be under his control while targets are in range and when readying to attack, the construct turns red and appears overcome with rage. Due to its speed and thousand arms, it can deliver an unfathomable amount of devastating, unseen blows in a moment's notice capable of purifying all defilements.
Gehōsaisenbako (外法賽銭箱, literally meaning: Heretical Offertory Box) is a Divine Technique (神術, Shinjutsu) used ould summon a number of hulking, cuboidal polyhedrons to crush whatever lies beneath them, with enough of them able to bring ruin to a whole area. They are hailed as virtually indestructible and passively absorb ambient energies, whether it be natural or metaphysical - those who happen to make direct contact with a Gehōsaisenbako will have their chakra greedily drained, the same being said for chakra-based attacks of any type used on them. Once enough has been absorbed, the polyhedrons can be detonated to unleash a catastrophic sequence of explosion capable of demolishing a region. The power of this explosion can be nurtured to where eventually a dimension could be destroyed and made anew. Each Gehōsaisenbako could alternatively be made to emit a luminescent and highly durable barrier of customizable proportions; just two were able to encompass the entirety of Svarga, which is settled in a vast mountain range. He could arrange a Gehōsaisenbako directly around his target as a seal of the highest caliber. The victim is trapped within a pocket space that is disconnected from the Space-Time continuum and leaves them in a state of suspended animation where they are unable to be sensed or detected. With the power of "all things in nature" (森羅万象, Shinra Banshō), Tatsuryuu could shrink it to a hand-held size, thus making it nigh-impossible for any outside for to open it as otherwise the trapped will surely die. This is his preferred method of sealing as it handily neutralizes his foes before transporting them.
Chūseinoseika (忠誠の成果, literally meaning: The Fruits of One's Fealty) is a Shinjutsu (神術, literally meaning: Divine Technique) or rather due to its nature, Divine Miracle. With Chūseinoseika, Tatsuryuu could harness the accumulated positive merit possessed by others to grant blessing beyond their wildest dreams or miracles otherwise impossible. In the same vein, he could likewise deliver cosmic judgment to those who have garnered enough negative merit or disfavour. His gifts all have a tendency to be what the recipient either wants or what they deserve.
Tashaniseifukusarenaideir (他者に征服されないでいる, literally meaning: Remaining Unconquered by Others) is an exalted transfiguration that reaches into divinity. It is boasted by Kanzeon to be a Divine Miracle. Upon activation, Metaphysical Energy is siphoned into Tatsuryuu's body, causing a tenebrous coloration to spread from shoulders to fingertips with gold, shimmering markings overlaid on top. His demeanour becomes far more severe and dignified, planting seeds of doubt and apprehension in all those lesser than him. With this achievement, he is endowed with a staggering amplification to his physical and chakra-based. A mere flick of his finger could buckle steel and just his gaze could induce a paralyzing fear. While in this empowered state, Tatsuryuu can manually interact with the spirit or essence of others and extract them as he pleases through a fission method called chedasādhanā or "Cutting Through the Ego" - this modality is signified by a coalescence of the golden sigils onto his hands. It is his version of aparājayah, the Siddhi of absolute invulnerability and unconquerability.
Oshimaikangaenaosu (お仕舞い検討する, literally meaning: Consider The End) is a perplexing yet absolutely disturbing Divine Technique (神術, Shinjutsu). It is a power that has been deemed nonsensical in every respect and have hailed as one of the most exalted of Divine Miracles. Destiny is a difficult topic for most. Many believe the results of one's actions is what determines one's fate, while others believe it already predetermined at the dawn of one's existence. Through Oshimaikangaenaosu, a path is laid out for all subjected to this power and straying or having others intrude upon it is nigh-unfeasible.
Fūjinnomikoto (風神命, lit. Divine Wind Lord) is an unmatched Shinjutsu that grants Tatsuryuu complete dominance over the wind and air, transcending any Raido including Kinto-Un, the wind that can devour entire universes. So long as he has access to this technique, there is nearly no threat that can harm nor comprehend him. His most used and hallmark technique, however, is aerokinesis. By finely controlling or creating air around any object, he is able to manipulate it with utmost ease, even able to imitate the effects of gravity by increasing or decreasing air pressure. To onlookers, it may as well be teleportation. The pressure could also serve as an enhancement to the force of his physical attacks; he could even unleash pressurized blasts of air with his combat movements. He could also manipulate the air pressure in a localized area, allowing him to mimic the effects of gravity by increasing or decreasing it; with this modality, even those capable of flight were subjected to this. The most feared and deadliest of his tactics however, was that he could increase the air pressure within the lungs of others through touch. As a result, Musubi could utterly burst the lungs of anyone by decreasing the pressure inside to near nothing - after all, at lower pressures air expands indefinitely.
Bodaishin is a marvellous divine technique. It grants him a personal time-space connected to his person. It is hailed by fanatics to be a merciful technique designed to rescue all who exist from the suffering of Saṃsāra and provide them sanctuary within the gods' realm of incalculable merit and bliss. This wondrous inner world could break otherworldly fetters, purify corruption, and extinguish the free will of the weak minded. With a thought, he could remotely stow any non-living target in his realm, albeit, only one object at a time though the process is very brief. After a short period of sustained physical contact, he could transport any being who possess consciousness. All stored things could be recalled at a moment's notice. As every higher dimension exists within and adheres to an independent timeline, they span across the universe and alternate realities. Bodaishin breaks otherworldly fetters, purifies those corrupt, and extinguishes the free will of the weak minded. It is their vision of what Nirvana is and every heart they have captured shall see it is as such. The Nyorai could overlap a localized pocket of their dimension onto the present reality to create mental duplications of their inhabitants and drain the chakra, natural, and metaphysical energies in the vicinity. As every realm of the Nyorai exists outside what is known, they span across the universe.
Shogyōmujō (諸行無常, Impermanence of All Things) is a yin-based technique. Within the world we live in, there are no guarantees — not even death seems to be the end for some people. We all live wondering about how long things will stay the same. As humans, we are subject to transition, and as humans, we adapt when impermanence strikes. Yanked out of one scenario, we continue to thrive in another. This is evolution — the steady progression of mankind and its populace. Change is imminent, and change is required. Yet, this too, may not be an absolute, as it could change at any given time. As the world constantly orbits the sun, so do other planets — and even more planets with their own suns. Those suns as well are subject to change, and are not the centre of everything, for they too orbit something, subject to gravity and its effects. Perhaps there is something at the centre of everything; at the centres of the galaxies and cosmic masses. We may never know, but one thing is sure: that could change.
Ryōiki Shinkengen (領域真顕現, Domain of Truth Manifestation) is a technique that manifested within Tatsuryuu, and allows the him to manifest events into existence. By speaking of an event, Sadao is able to literally bring it to fruition. Because of this, Ryoiki Shinkengen is always used to alter future events, and can't be used to alter events of the past. In doing so, everything within the present will play out and naturally lead up until that point as if it was part of fate itself, and is completely unnoticed. Although Ryoiki Shinkengen can be used to manifest events into reality with such accuracy that Sadao is even able to decide at what point in time these events will occur. When this is done, Sadao can effectively gain additional info from particular events as if he already experienced the event, despite it not having yet occurred. By altering future events, he is able to effectively catch targets off guard by altering their atmosphere, surroundings, the environment or even his own actions or the opponents. In its most powerful usage, the user can control what occurs in future from merely thinking about it. Tatsuryuu is able to manifest events concerning himself and events concerning others. He is able to manipulate what will and won't happen in an event concerning a designated target. Utilising the technique in combat allows the user to continually alter the future to such a degree where all futures, even those of impossible existences can be permanently or temporarily altered by the user’s desire and with complete mastery, the user can then alter events of the past completely, thus creating an antithetical paradox where things that should have happened in the past don’t just stay in the past and are brought into the future, forcing the opponent to suffer the events of the past and the future of not just themselves, but also all their opponent up to that point and far beyond that point of their lifetime, allowing the complete alteration of the atmosphere, senses, environments and events where this control and range of the future can be virtually limitless.
Ryōiki Shinshin (領域真讖, Domain of Truth Foretelling) When activated, the user is able to state anything as fact, or lie about something to inturn make it a fact, thus manifesting it as being true. This allows them to heal injuries by stating they aren't hurt, or inflict wounds by simply saying so. He can even control individuals by simply stating or thinking it. By extension, Tatsuryuu is able to turn the most basic of techniques into lethal ones by empowering them with Ryoiki Shinshin. When utilized in tandem with genjutsu, the user is able to manifest them into reality as if they were real. Because of his Ryoiki Shinshin's ability, Tatsuryuu could likely make normal commands on the level of Isitva (one of the Siddhis) without the use of genjutsu, allowing him to manipulate his opponents with mere thoughts. Because of the sheer magnitude of this ability, upon death, all changes that occurred will stay as if it was always that way. This control of the Truth can extend to the point where their statements become indistinguishable from reality itself, making them completely irreversible in any way and with complete mastery, the user can alter the truths of all beings that exist, making their lies factual and thus reality such as “I want a cow that looks like a horse but is still a cow in prospect and form” and it would be reality. It can also allow the nullification of anything negative or harmful to the user since they can consider it a lie and also falsify concepts like truth (ironically), fortune, misfortune or any other thing or idea. It grants the power to change any outcome to make it true, Make any desired wish a true reality, change oneself to what the user truly wants to look like, can create any power with no limit by lying about having that power and making it true, make the dumbest thing be right like a shallow pond being deep and by making the fact that their imperfect stats is perfect true, he can change the true property of an object, make hypothetical concepts real, unlock his true power, make universal changes true or false, Make all wrong answers right or make all right answers wrong and then control axioms ,the fundamental, self-evident truths that define the most basic logic of existence, from which all other logic, rules and structure can be derived. As such, by creating, changing and destroying axioms, the user can essentially redefine the rules of logic from the ground up. This allows the user to fundamentally alter reality by changing the axioms that make up the foundation of its logic, as well as create and destroy entire universes by creating and destroying their axioms, and so much more, make the powers of anyone true or false, control subjective realities, manipulate reality by being right and do whatever is needed with the very idea of truth.
Dōsojin no Saigo (道祖神の最終形態, Road Ancestor God's Final Form) allows for Tatsuryuu to completely control time in all its aspects. Using his right eye, Tatsuryuu can "Sequence Break" (次壊, Jikai) a given event, allowing him to perform actions in a non-linear fashion. This function of Dosojin is likened to a montage, where the user controls what is and isn't experienced and in what order. Using his right eye, Tatsuryuu can modify events to a given extent. and thus treat a fight like a montage, making certain series of events non-existent, modifying multiple near-death scenarios to where the opponent became near-death instead of himself. Using his left eye, Tatsuryuu can control duration, allowing him to increase or decrease the time it takes for a given process to advance to a new point or be completed, to the point where time itself as a concept becomes non-existent and meaningless. For example, in a fight, he can transition himself to a new point in the future of the fight to where the past events that would have occurred to him (that are negative in concept) become meaningless and unnecessary. This can also allow for the concept of time and movement to become irrelevant and completely futile in the face of Hajime's overwhelming power.
Chimatakami (岐の神, God of Crossroads) The barriers size, shape and influence can be manipulated and determined at will, only warping those the user decides. The shapes can be rather complex, not solely being limited to circles but nearly anything the user can imagine. By shaping the spatial barrier as swords, the user can utilize it like a katana, using it to slice right through objects and opposition. This technique is able to transport users anywhere they can accurately visualize instantaneously, and can even be used to transport a great number of people. Chimatakami allows the user to "skip" sequential events, allowing them to obtain a consequential effect without enduring the prerequisite steps needed to achieve the result. Ryujin likened the technique to a montage, where the user controls what is shown and what isn't. To begin the technique, the user engages Chimatakami. In doing so, the world around the user is divided into a series of "frames" according to the current world line, displayed in a fashion reminiscent of photography film. At will, the user can then select any arbitrary set of frames and decide what course of action they will take by outlining desired frames within a given world line. Because such world line frames span the past and future, Chimatakami is capable of affecting the personal world line of the user, or a target, allowing them to alter their existence at will. Chimatakami can be utilized in several different ways, each providing a unique and specialized effect. While typical jutsu is used in response to transpired events, Chimatakami is highly effective when used in response to events that have yet to transpire. Koshōjunjo (故障順序, Broken Sequence) describes the process of using Chimatakami to skip an event while obtaining results as if the event had been experienced. When used, the user outlines a set of frames from the current world line that they want to "break" (故障, Koshō). By breaking the selected set of frames, the user is capable of bypassing the outlined event in its entirety, while obtaining the results of the event itself, had they actually experienced it. This was evident when [---] skipped the time required for him to heal, causing him to heal instantly. Another example is [---] skipping the events of his moving into his opponents personal space after covering a great distance, effectively causing him to teleport. Tonsōjunjo (遁走順序, Escape Sequence) describes the process of using Chimatakami to skip events in their entirety, ignoring any effects that would have resulted have the event transpired. When used, the user outlines a set of frames from the world line they seek to "escape" (遁走, tonsō) from. By escaping the sequence of events, they are excluded from the causality that would have ensued as a result of the event. This effectively causes them to ignore transpired events as if they never occurred. Said to represent the "Crossroads and a Place that Can't be Entered" (岐と来な処, Kunado to Kunado), it is the antipode to Dōsojin. Chimatakami allows the user to exchange the 「status」 of several individuals with one another, as well as translocate the effects of an attack to a different location. Described as a game-changing technique, it is exceptionally useful in a variety of ways, ranging from protecting oneself and healing individuals, to redirecting opposing techniques and wearing down the opponent to the point where fighting itself inevitably becomes meaningless. Another way it could be seen is through the analogy of "my fortune is greater than yours" where Hajime's misfortune will always be lesser than the opponent's and as such go onto the opponent, nullifying their fortune and turning it all into more misfortune for the opponent. Misfortune could also refer to things like good and bad, dark and light, etc. He could shift the consequence of an attack (such as the Rasengan, for example) and inflict it back onto Naruto with a hundred times the force, speed and damage, which would also heal him of any damage that would have occurred by translating potentiality of the attack hitting him to the general area around him and he could exchange other traits and attributes with a designate target, such as momentum, orientation, chakra quantity, and even fatigue. Despite its nature, traded attributes don't have to be equivalent, allowing Tatsuryuu to do things such as swap damage to his body with an opponent's speed, or trade benefits, where he can restrain an opponent or gain the opponent's full attributes, such as gaining their full speed in exchange for his fatigue, making their abilities completely meaningless.
Hōrin (法輪, Law Wheel) is a Dragon King technique of Tatsuryuu's which allows him to control interactions, which is the communication or direct involvement with someone or something. It allows the user to alter interaction, determining whether an entity or force can interact with them or a desired target. This results in the affected target rejecting all forms of interference from outside sources, effectively rendering them incorporeal; The opposite is also true, allowing normally incorporeal targets to be rendered corporeal. This is also able to control phenomena like time, space or matter due to Hajime being able to interact with such thing on either a local scale or an infinitely larger scale, if he has the chakra possible. The user can toggle this effect at will. When used on various entities such as objects, abilities, and techniques, opponents are unable to manipulate them any further for as long as they are affected. In Tatsuryuu's hands, it can also control duality and thus causality itself or Yin and Yang (or even Wuji and Taiji, etc) because of its innate ability to control interactions.
Kuninotokotachi (国之常立神くにのとこたちのみこと, God Founder of the Nation) and its abilities enable him to generate and deplete space and transition through time and even progress and regress the condition and state of targets. Kuninotokotachi also allows him to transfer objects to and from two separate dimensions. Targets that enter these dimensions are completely untraceable. Anything that enters the space is afflicted with "Stasis" (止界, shikai), causing their current condition and energy to be preserved for as long as they remain within. Because of this effect, anything sent here is effectively trapped until released by the user. With his left eye, Ryuunosuke is capable of generating space, allowing him to control the distance between objects. Primarily making use of it in a defensive manner, he generates space to keep desired targets and techniques from reaching him, and can also use it to bend space around an object. He is capable of placing a target a desired distance from any location at will without physical contact beforehand. Because this process occurs instantly for targets, its indistinguishable from teleportation. When used offensively, Tatsuryuu is capable of generating a new space within the environment, effectively generating a powerful blast, sending targets flying away with immense force. When generating space across a small area, he can produce a severing effect, allowing him to cut targets regardless of the distance between the two by pushing their bonds aside. He can also utilize his left eye to achieve Regression (退行, Taikō), reverting targets back to a previous state, condition or time in their life, irregardless of the time between the two. When active, he can see the complete past and history of anything within his field of vision, akin to a roll of film. Upon selecting a desired point to revert his targets to, they unexpectedly find themselves in a foregoing condition or location, catching them completely off guard with no memory of the revision. When first awakened, Tatsuryuu could repair objects and heal targets, and even bring forth previous wounds from different points in time by regressing targets to a previous state. Alternatively, he can regress himself or a target through time itself, allowing for time travel into the past. He primarily uses it in a defensive manner, generating space to keep opponents and techniques from reaching him and can also place a target a desired distance from any location at will, without physical contact beforehand. Such a process occurs instantaneously, causing affected targets to believe they've been teleported. Tatsuryuu can also use the power of stagnation to regress all forms of damage, reverse death, aging, stopping growth, being unchanging, etc, etc. By expanding space in a general direction, he can project weapons and tools at immense speed. He primarily uses his other part of the power to bring targets and techniques closer to him. While this process usually occurs instantaneously for targets, making it indistinguishable from teleportation, it can be spread over a short period of time if desired, simulating an infallible pulling effect. He is capable of placing a target a desired distance from any location at ill without physical contact beforehand. Offensively, he is capable of deleting targets by depleting the space they occupy. By depleting sections of space from a distance, he can produce a severing effect, allowing him to cut targets regardless of distance. He can also use his right eye to achieve Progression (進行, Shinkō), progressing targets to a new state, irregardless of the time between the states. This allows him to progress targets to a new condition, position or time that hasn't yet occurred. When active, he can see the complete potential and possibilities of anything within his field of vision. When used on a target, they suddenly find themselves in a new condition or state that they unbeknownst to them, such as their defence being lowered, or a scratch having been progressed to a gaping wound. By shifting his sight into the future, Tatsuryuu can cast techniques where targets will be most vulnerable. Because the techniques are cast at a time that hasn't occurred yet, they will be suspended in time and will continue when the future moment becomes the present. Such actions completely catch targets off guard by seemingly appearing from nowhere. Alternative, he can progress himself or others through time, allowing for time travel into the future. he can also use his right eye to achieve ''Progression'' (進行, ''Shinkō''), progressing targets to a new state, regardless of the time between the states. This allows the user to progress a target to a new condition, position or time. When used on a target, they suddenly find themselves in a new condition, position, or time, such as their wounds being worsened, or their arm moving further than they moved it. Because the techniques are cast at a time that hasn't occurred yet, they will be suspended in time and will continue when the future moment becomes the present, completely catching targets off guard, with the attack seemingly appearing from nowhere. Defensively he can shift an opponent or their technique into a fixed point in the future, putting it forever out of reach of the present, effectively stranding them in time forever. Tatsuryuu can further use the ability of Progression to transcend past his opponents, progress his powers eternally past the person's previous state of being, transcending evolution entirely, progressing himself to his end stage and final point whilst also gaining immeasurable power. By simultaneously depleting the space that isolates locations and generating space to connect them, he can generate portals. Using the portals, Tatsuryuu can instantaneously traverse locations or redirect attacks at will. The size and shape of the barrier space can be changed at a moments notice according to his needs. Using the precognition and retrocognition of his Eyes together, Tamotsu can recreate events in the present to attack foes. This is done by creating a save state of an event and either progressing the past event or reverting the future event into the present. He can use the events of an opponent's actions and techniques for offensive, defensive, and supplementary purposes by applying them to himself, seemingly as if he used them. The user can also use both eyes to achieve Stagnation (沈滞, Chintai), halting themselves or targets within their currently state, disregarding influence from elsewhere for its duration. Offensively, the user can stay within their current state by shifting the intended changes elsewhere. Another ability usable in both eyes independently is the ability to establish a Savestate (保管状態, Hokanjōtai). Savestates enable Tatsuryuu to save the existence of a given target at a particular time, condition or situation, and any number of them can be established. When desired, upon loading the savestate, he can instantly return a desired target to that time, condition, or situation, whether it was from the past or future and even generate them within the present. This allows him to change a given situation at any moment in time. Through its use, he is capable of bringing forth the techniques of other individuals as if he cast them, regardless of the source. It is an invaluable asset capable of giving him near limitless options in battle. This also allows him to revert back or progress forward to a given time or space, as well as recall a given object or event to the present from either the past or future.
Kojiki (古事記, Record of Ancient Matters) which freezes time from the victim's viewpoint, resulting in their body becoming statues stuck in paralysis. Kojiki achieves this by manipulating the victim's perception of time, allowing the user to freely manoeuvre since time is only frozen from the victim's viewpoint. Doing so, the user is capable of altering the situation completely, ultimately changing the placement of both individuals and tools. The alteration in the victim's perception of time can cause them to experience a second as a century through the duration of the technique. Unfortunately, since Kojiki manipulates the perception of time and not time itself, inanimate objects and external factors remain unaffected by the technique's activation.
Jindai Yoyorozu (神代万代, Eternity of the Age of Gods) is the "opposing" form of Kojiki that grants the user an accelerated sense of time, resulting in a perception of a completely, unmoving world, transforming their view into grayscale as they are unbound by the laws of time and space.
Ikimihashinimi (生き身は死に身いきみはしにみ, Literally meaning: All That Lives Must Eventually Die) is considered to be nothing short of a blessing or a Divine Miracle (神の奇跡かみ の きせき, kami no kiseki) on the recipient's part. It is a divine technique of the highest caliber and one that appears to manipulate the principle of causality (因果律いんがりつ, ingaritsu) which in by definition makes it a sacred karmic retribution jutsu (悪報術あくほうジュツ, akuhōjutsu). Then, hearing his voice or merely looking at him throughout the incantation lamentably curses the target(s) which is shown by the symbol of the dragon appearing on back on the neck or on top of the crown. However, this mark exists beyond the physical and temporarily brands itself on the soul of the target(s). Therefore, removing any limb will not get rid of the mark. Any injury or ailment that is inflicted upon Tatsuryuu is also inflicted on all targets cursed by the technique. This is perhaps the greatest notion of sharing his agony as it can affect an entire civilization at once when utilizing a proper medium. Even when the affected individuals are in different nations or even in entirely differently dimension, it will still affect them all simultaneously. For the target, this may cause unintended death to those also affected by it. This transference of agony works as a passive trait of this curse and additionally, even those deemed immortal still suffer from the curse. No matter the severity of damage, it will be mirrored on all affected individuals even if the opponent simply touches him, all of those affected by the curse will feel it as well.
Prākāmya (literally meaning: The Ability to Realize Whatever One Desires) is a mystifying Divyasiddhi (literally meaning: Divine Accomplishment) virtually exclusive to only a few higher-order beings of Svarga and a power founded in the Viśvēdēva Clan. With a thought, users could create nearly anything and everything. From objects to even intelligent life, these things could be spawned from nothingness. There is well-nigh nothing the user cannot create. Like all techniques, Prākāmya had its limits. One could not fabricate a being capable of ever rivalling their creator in any possible way nor recreate items of a singular, unique existence.
Parakāyapraveśanam (literally meaning: Seizing the Bodies of Others) is a Shinjutsu (神術, literally meaning: Divine Technique) and Siddhi (literally meaning: Accomplishment) chiefly used by the Timūrti (literally meaning: Trinity), Narayana, Virinchi, and Shankara: the three Ōtsutsuki Gods that created the denizens of the Deva Realm. With this technique, the users who have transcended were able to claim the bodies of any lesser being as their own, the host serving as a vessel to upload their biological and metaphysical data into for reincarnation. Unlike the Kāma however, this variant could alternatively make an avatar similar in concept to the Six Paths of Pain, rather than wholly reincarnating the user themself. Additionally, Parakāyapraveśanam works without fail as it does not require any form of comparability nor is there a time period where the vessel is gradually overwritten - the victim is immediately usable as an instrument of their will. Avatars are blessed with as much power as their maker bestows them and if one were to be slain, it is the same as if a puppet were to be destroyed - inconsequential. There is also a phenomenon where an avatar can be abandoned and replaced by another, although it seems the previous victim retains a small portion of their maker’s power. Whilst Tatsuryuu is not shown using this ability himself, it is known that he has it.
Sensōnokyōki (戦争の凶器, literally meaning: Weapons of War) is a Shurapō (阿修羅法, literally meaning: Warring Demon Art) used by virtually all members of the Rakshasa Clan. With this technique, users are able to manifest and manipulate their chakra into a nigh-endless amount of black weaponry in hand or remotely at their behest. As the Sensōnokyōki assail both the physical and spiritual, they interfere with the use of chakra, effectiveness of regenerative abilities, as well as maim the soul or essence. It has even been observed to sever the damning binds of Kāma. If one has an understanding of the power of "all things in nature" (森羅万象, Shinra Banshō).
Antardhanastra is a disconcerting Shinjutsu (神術, literally meaning: Divine Technique) used by the Dragon King. Tatsuryuu could create a multitude of small, dark orbs capable of outright erasing nearly whomever and whatever material object they touch without fail. While the attack does not travel very far, those who do fall this technique find themselves facing the weight of their karma during their life before their time.
Gunkishin (軍鬼神, literally meaning: Fierce War God) is a Kekkei Mōra Shurapō (阿修羅法, literally meaning: Warring Demon Art) used by the Rakshasa Clan. It is a calamitous ability that foretells the imminent doom to all those who look upon this glorious form and the unfortunate planet they have chosen. As a Dragon, they possess the ability to passively absorb natural energy which leaves them in an indefinitely empowered base state. Natural energy is the lifeblood of the universe and the architect of all sublunary things. Knowing this, the Ashura are able to utilize endless amounts natural energy no matter where they may be or what conditions may arise. The universe tends toward disorder and chaos and as embodiments of such concepts, the Ashura are one with the universe. With this transfiguration, Ashura become a living weapon of war and experience drastically increased physical and chakra-based attributes such as strength, speed, stamina, durability, and potency of techniques far beyond what could be imagined. Their sensory prowess, reflexes, and overall battle power become so refined, that a Rakshasa clansmen could very well face dozens of foes at once without receiving a single scratch and they gradually become stronger over time as their bodies adapt to the heat of battle. To those who are unfortunate enough to face such an Ashura, this power is simply godlike. As their organic weaponry are steeped in their specialized enzymes, they interfere with the use of chakra, impair the effectiveness of regenerative or healing powers, and can even cause paralysis in those skewered; in fact, merely touching them can induce these negative effects and prolonged impalement gradually causes petrification as they are relays for natural energy. Inwardly, the enzymes grant Ashura an accelerated healing factor as well as an immunity to poisons, diseases, and other chemical or physiological impediments. Tatsuryuu's usage of this is not seen, although it is known he has this.
Amenoshitatsukurashishi (所造天下, lit. Maker of All Under Heaven) is a rather mystifying and incomprehensible Shinjutsu and with naught but a mere thought, Tatsuryuu was capable of warping the very fabric of reality to his will, turning his imagination into reality and reality into mere illusion. He could spawn anything into existence from nothingness, including intelligent life, as well as grant sentience to the inanimate. This divine technique could also be used to manipulate the world or bestow new properties upon it, overturning the natural order of all things to what he desires; those who make the mistake of allowing him to touch them are hopelessly submitted to the horrors of what his mind can conjure, for death would be too simple of a thought for him.
Amenoukihashinokami (天浮橋神, literally meaning: Divine Heavenly Floating Bridge) is a multifaceted Shinjutsu (神術, literally meaning: Divine Technique) where Tatsuryuu can teleport anywhere he wants without any effort.
Takejizaiten (他化自在天, literally meaning: Heaven of Freely Enjoying Things Conjured by Others) is both a Dairokutenjutsu (第六天術, literally meaning: Sixth Heaven Techniques) and the abode of Māra Rakshasa. Known as the autochthonous Ashura, he warred against the gods for countless cycles and grew in power, until one day, he supposedly ascended into this higher dimensional plane. With the use of Sixth Heaven Power (第六天力, Dairokutenryoku), Māra could transport anything into Takejizaiten. It is an inescapable realm described as nothingness and marked by oblivion yet is also one that is everything. A single day in this dimension equates to over a thousand years in the material world, but nonetheless, Māra is able to retrieve whatever he has stored in its original state as he pleases. Distinctive to him due to his connection to Takejizaiten, Māra is also granted privy to the unconscious minds, chakra, and life-force of those within. As Takejizaiten exists "within" while spanning outside and across the entirety of existence, Māra could use it as a medium to abscond anything he desired or teleport to any given destination. From dimensions of the physical world to metaphysical planes, there is nowhere he does not have access to and can, uniquely, appear in countless places at once. As Takejizaiten exists within and outside Saṃsāra, it is paradoxically unable to be viewed by any eyes.
Yamanoyasumisho (閻魔の休み処, literally meaning: Resting Place of He Who Died Before) is both an Ōjōjutsu (往生術, literally meaning: Passing On To The Next Life Technique) and the afterlife of the first man to die. Death before him was a foreign phenomenon and an unanswered question - now cognizant to the divine knowledges of reality and secrets to the Way of the Gods (神の道, Kami no Michi), Yama determined he is that answer. His dwelling is beyond what is known and from it, Yama looks down upon and governs the Wheel of Life. He is death, justice, and rebirth, the beginning and end of all things. Tatsuryuu, having fought Yama after his Journey to the West, has complete access to this technique. With the slightest inclination, Yama could transport anything into Yamanoyasumisho, otherwise known as Purgatory (煉獄, Rengoku), his personal abode that exists outside Saṃsāra. It is a timeless, inescapable realm described as nothingness and marked by oblivion yet is also one that is everything. All who die ascend here and wait to be judged according to their karma, then ushered to their deserved destination of reincarnation. However, Yama is not bound to such strict rules. On a whim, he can retrieve what he has taken in its original state or, if desired, completely rejuvenated or resurrected akin to the abilities of the Naraka and Outer Path.
Prāptiprākāmya (literally meaning: The Ability to Access and Realize Whatever One Desires) is a mystifying and rather absurd Shinjutsu (神術, literally meaning: Divine Technique) and Siddhi (literally meaning: Accomplishment) exclusive to higher order Devarishis of Mount Sumera. It's magnificence designates its users as wholly transcendent beings and requires Prajñā (般若, lit Understanding) in order to even begin comprehending this power. With naught but a mere thought, users are capable of warping the very fabric of existence to their will, turning ones imagination into reality and reality into fantasy. Users could spawn nearly anything into existence from nothingness, including intelligent lifeforms, as well as grant sentience to that lacking it. This divine technique could also be employed to manipulate the world in the most glorious of ways, bestow new properties upon it, and overturn the natural order of all things to what one desires. There is well-nigh nothing a Devarishi cannot do, virtually no wish they cannot grant. Any conception such as boundaries or arbitrary phenomena become meaningless.
Mrtyumāra (literally meaning: Māra, He Who is of Death) is a fearsome and terrifying Shingugenjutsu (神具現術, literally meaning: Divine Embodiment Technique) that even the gods of Svarga fear due to its sheer inevitability. As constructs borne from the essence of Māra, they are infused with the power of destruction (破壊, Hakai), making them nigh-impossible to defend against and are capable of damaging the very soul of their victims. Not only does each strike shorten their lifespan, but those slain by a spear cease to exist as they are permanently removed from the cycle of death and rebirth. Infallible protections, incorporeal beings, even those existing simultaneously within other realms are at their mercy. They are also capable of damaging the very soul and being of their victims; not only does each strike shorten their lifespan, they disrupt the effectiveness of any regenerative abilities and flow of energy within any medium. Those killed by this technique are cursed with negative karma - as such, no matter how virtuous one may have been in life or how much positive karma has been accrued, they are damned to Naraka and shall continue to suffer the woes of death and rebirth. Tatsuryuu can freely alter the proportions of the spears into any size he desires and as an extension of his will, he is able able to channel any of his techniques through them.
Kaishi (宇宙) is an immensely powerful Dragon King technique. It manifests as one distinct ability, giving him the ability to manipulate the boundary between fantasy and reality. An example of this being that if Tatsuryuu activates the technique and imagines that the hair on someone's knuckles are on fire, this will become true. By imagining that flow of chakra in his opponents body has seized to exist ," he can prevent his opponent from using chakra at all and if the opponent is weaker or if the user has complete mastery, the opponent will die on all levels throughout all levels of existence transcending Sāmsara and the cycle of Reincarnation. On the supplementary side, he can instantly heal any wounds inflicted onto him by imagining that it has already healed. There is nothing a master of the technique cannot do, as they are seen to be virtually all-powerful where anything becomes their whim as all boundaries become irrelevant.
The Diamond Realm (金剛神界, Kongōshinkai) is the signature technique of the Kongō Clan. It allows the user to render themselves completely indestructible. Upon activation, the chakra produced by the user will spread throughout their being, fortifying their body to such a degree that it becomes incapable of being physically damaged. By extending this effect beyond the body, the user can reinforce anything within a given range to the same degree, preventing it from being physically harmed. Jōbu (丈夫, Indestructible) is the first stage of the Diamond Realm, which all user's have access to after first learning how to preform the technique. Upon activation, the user's body is fortified with a unique chakra, causing the user's entire body to become completely indestructible. This renders them completely unaffected by physical attacks, allowing them to withstand enhanced attacks and even various weapons unharmed. Under the influence of the Diamond Realm, the user's taijutsu is drastically improved. Other users have been seen becoming unbreakable and conceptually unable to be defeated. Muteki (無敵, Invincible) is the second stage of the Diamond Realm. It turns the body into an "Absolute Defence" (絶対防御, Zettai Bōgyo), rendering their body completely indestructible while granting them immunity to pain and harm. As the name suggests, it grants complete immunity to all forms of damage depending on the user’s level of mastery, including damage to the body and soul as well as damage on a conceptual level although this is the second stage of the Diamond Realm, this is by and large the weakest, despite its clear strengths. Fuhen (不変, Immutable) is the final stage of the Diamond Realm. It renders the body unalterable to outside stimuli, making them an "Irresistible Force" (不可抗力, Fukakōryoku) and an "Immovable Object" (不動産物体, Fudōsanbuttai). Upon this stage being active, the original effects of the Muteki disappear initially but then reappear, maximising the defence of the user by an infinite amount, such that no-one could truly attack them or even damage them in any way, thus completely assimilating them with the Diamond Realm, as they “become one with the Vajra”. Their defence can also match with the power of the Vajra that can control probability and shatter the universe, truly becoming one with them.
Sanmyō no Ken: Kenmyōren (三明の剣: 顕明連 literally meaning: Three Divine Swords of Great Power: Kenmyōren) is a sword that can annihilate continents.
The Brahmashirā astra is the evolved form of the Brahmastra, dealing damage four times moreso than the original. The Brahmashirā astra is the most destructive weapon described in the ancient Indian texts, capable of ending the existence of gods (such as the Otsutsuki) with ease. It is thought that the Brahmashirā astra is far superior to the Brahmāstra, and causes chain reaction of massive explosions and waves to annihilate any desired entity of the Universe or even the Universe itself. The weapon manifests with the four heads of Lord Brahma as its tip. The weapon was also believed to cause severe environmental damage. The land where the weapon was used became barren and all life in and around that area ceased to exist, as both women and men became infertile. There was also a severe decrease in rainfall with the land developing cracks, like in a drought. Being the evolved form of the Brahmastra, it can stop the original with no difficulty. Its true power is the power to eliminate the existence of anything from the past, present and future. It is considered to be the most powerful weapon. Since it removes something from the past, present and the future as well, it's use is often questioned in the Hindu stories, because if something never existed, and will never exist, it is impossible to imagine that entity. It can be summoned in the Door of God (Hananim Mun).
World Warping Phenomenon (世界歪む事象, Sekai Hizumujishō) is a technique that allows Tatsuryuu to warp all attacks around him including the very concepts of space, time, physics, mathematics and other concepts of a similar type. Through warping these phenomena, all attacks that would normally get to him would be warped, twisted and ultimately reflected back to the sender at one thousand times the power of the original attacks potency, essentially making him invincible.
Shinzanmaigedatsuka (真三昧 解脱火, literally meaning: True Samadhi Liberating Fire) is both a Daisenjutsu (大仙術, literally meaning: Great Sage Technique) and Shinjutsu (神術, literally meaning: Divine Technique) used by Tatsuryuu at some point after his Journey. They could be called upon remotely within an unspecified radius around himself or locally, such as in the palm of his hand. This fire is wholly inextinguishable by any means and burns across the three worlds. There is no regenerative ability, healing technique, or defensive measure that can negate it; not even a self-proclaimed immortal is capable of surviving it for long nor those immaterial or spiritual. No being is exempt from eventual incineration. The Shinzanmaigedatsuka could be controlled with such finesse, that an entire battlefield could be engulfed without so much as a stray flame licking an ally. They could also be imbued with such explosive force that entire realms were subject to being reduced to nothingness in time.
Kamuyatatehime (神屋楯比売, Divine House Shield Princess) is a barrier that is capable of protecting the user from any technique or attack. Through the use of "pataphysics" (超形而上学, chōkeijijōgaku), Kamuyatatehime converts the incoming attack or technique into a "figment" (案出, anshutsu).
Preeminent Genesis or Preeminent Reactive Evolutionary Regeneration (屈指起こり/屈指活性進化再生, Kusshi Kassei Shinka Saisei) is a technique both Ryujin and Tatsuryuu can use, which is described as that which "alloweth him, like his future successor, to use cosmic and the energy of nature to heal himself completely, adapting him to any future attacks as his body becomes fully compartmentalised to anything of the future in a fight since the cosmic energy will fervently shield him forever, for as long as he is alive"
Unmeinoshin Shōrinomichi (運命之神 勝利之道, God of Destiny Path to Victory) "allows me to garner the deepest understanding of all things that appear before my eyes, where not even those of the Moon can observe this, wherein I am able to view the flow of causality to accurately defend against an incoming ability and to even find its weakness. In some cases, this technique is so powerful that it may even "create" a weakness if one doesn't exist where my intuition in understanding things becomes true and supreme where I can observe any techniques, mechanics and their potential origin in an instant wherein the very meaning of concepts themselves become meaningless wherein moves become perfect, luck itself floweth around me like air and water with the Shōrinomichi portion of the ability is surely a passive power as causality becomes a part of my being, where I beareth the ultimate form of luck"
Jigokusanōtenken (地獄三王天譴, Three Hell Kings Divine Judgement) as Tatsuryuu can manifest, the Three Kings of Hell in all their profound immorality and wickedness to the untrained eye of course. In truth, these beings decree judgement on all living things regardless of their karma with these kings being invisible to the naked eyes. With a single breath, he can manifest his heralds of judgment to the material or spiritual worlds. With their nativity being in Naraka, these entities are nothing short of spine-chilling brutes in appearance, and they instill a primordial fear to those that are able to see them or sense their presence. This nameless and inexpressible fear causes even the haughtiest beings to come to naught. To those that are able to see them, their true from is nearly incomprehensible as they are unable to tell if they exist on the same plane or even exist at all. The entities exist beyond the veil of dimensions and standard perceptions. They are massive in size and possess both physical and metaphysical aspects. For instance, they can be seen by other individuals, but said individuals are unable to interact with them, physically, mentally or spiritually. They are granted nearly unimaginable physical strength and durability that befits their status as kings. They are able to interact with both physical and spiritual entities alike regardless of their origins or unwarranted strength. Their boundless power will continue to grow and they can nullify most techniques if Tatsuryuu willed it, except those of Naraka.
Kokujōjigoku (黒縄地獄, Black Thread Hell) is the second part to this fearsome technique as black threads that appear directly on the target's soul and physical vessel, as the target shall be severed along those same black lines and the vessel shall become wretched and maimed. Their screams and beseech of mercy will become naught but a haunting melody. It does not matter if it is a single target or an entire world, he can cause the damning black lines to appear over all individuals simultaneously. Then at his behest, all targets will be painfully severed along those same black lines and though it is designed for living or unliving entities, inorganic objects such as weapons or even mechanical constructs are subjected to the same unseen cutting force that is capable of going through any form of defense. As a karmic retribution technique (悪報術, akuhōjutsu), the amount of damage inflicted is based upon the amount of negative karma the target souls possess. In any result, the target will be dismembered and the ability to heal from the wounds become nigh impossible except for the most robust of healing techniques as their very spirit is damaged as well and when combined with the Soul Flame, their wounds only grow. In a defensive manner, Tatsuryuu can produce an invisible barrier that will cause those very lines to appear upon a target once they cross the threshold. As the black threads are composed with negative karma.
Shohōjissō (諸法実相, Concept that All Things and All Phenomena Reflect the Truth) is a Dragon King technique only accessible to Tatsuryuu and Ryujin that can transfer/translocate any forms of damage or injuries between living and non-living objects. According to Ryujin, this technique utilizes and seemingly manipulates the concept of karma. It is a cursed technique of the highest calibre and one that appears to manipulate the principle of causality. It is also able to transfer the effects of techniques to another target as well. This can even be used on inanimate objects or those corporeal in nature. For example, if Tatsuryuu were stabbed or attempted to stabbed by a kunai, the opponent or any other living target within a certain range would instead take the damage such as the targets ally, with Ryujin being able to reverse all the techniques he fired at his opponent as well as those he fired himself and he is able to transfer injuries from one opponent to another opponent during mid combat which instantly heals the former. No matter how severe the damage is, as long as both targets are living, the potential or existing injuries can be instantly transferred. Tatsuryuu is never shown using the technique, but, as Dragon King, he is known to possess it.
“Ryu: Gekirin (Imperial Rage).” Ryujin then said, immediately aiming his power at Satoshi who then used the Shadow Sword,
“Zenmetsudoku: Nyododaija Takarahōgen (All-Killing Poison: World Serpent Treasured Dharma Eye)!” Ryujin said, causing it to glow as Tatsuryuu looked visibly surprised. “So the light summons venom that can affect all organic and inorganic matter within the medium range of this technique including trees, water, the earth and even the air itself. The opponent does not die immediately from the venom as it takes a couple minutes for them to succumb to the effects of it and thus the venom has a secret ability which impairs both cognitive and bodily functions almost immediately, leading to respiratory failure, haemorrhaging through all orifices and eventual bodily paralysis. This prevents it from being absorbed through the body. It also causes the decay of organic matter which in turn, negates the healing factors of sorts. They are essentially trapped within a coma until the venom takes their life.” Ashoka surmised with ease as Ryujin looked unsurprised as Tatsuryuu then immediately used Tsukuyomi’s powers to bless himself with immortality of the highest order as he then ruthlessly attacked Ryujin with the Ruyi Jingu Bang who was able to dodge each and every single attack without effort.
Uchū (Universe), spawning the Feather Mantle Robe onto himself, nullifying the conceptual and metaphysical attack by manipulating reality, such that this name-based attack didn’t do anything.
“Kyoreishin (God of Giant Spirit)!” Ryujin then said as he roared a huge beam of water from his mouth that immediately froze and became ice
“Art of the Dragon King: Ryūkubi no Tama (竜首の玉, Jewel of the Dragon Head), Hotoke no Ishihachi (仏の石鉢, Stone Bowl of Buddha), Hinezumi no Kawagoromo (火鼠の裘, Robe of the Fire Rat), Tsubame no Kagyūkai (燕のカギュ貝, Cowrie Shell of the Swallow) and Hōrai no Kazarueda (蓬莱の飾る枝, Adored Branch of Hōrai).” Ryujin said as all of the worlds were immediately sucked into the bowl of the Buddha. “These weapons are things I made when I made this world… giving them to Ying Long after she was formed. The robe of the Fire Rat came from the rat, Zhurong, who I had no choice but to murder after he infected my descendants with infected foodstuffs… it grants one complete immunity to all elements including that of Aether and space itself as I willed it thus that only attacks of the State can bypass it… as its appearance of the cloak can be altered to accommodate the desired appearance of a particular wielder. The Hinezumi no Kawagoromo is an ethereal tool that grants the user complete immunity to all elemental attacks, including those that include duality as a part of itself… think of it as this world manifested in a cloak. Through the power sealed in it, it is capable of nullifying all ninjutsu it encounters, rending them asunder in a fashion typical of thy usage of Anima or Daikokuten. Simply wearing the cloak protects the user's entire body, even areas of the body it doesn't visibly cover. The Tennyo no Hagoromo grants the wearer a powerful healing factor capable of actively healing wounds the user has or sustains. Alongside this, it enables the user to function without eating or drinking for as long as the robe is worn. This allows the user to fight for longer periods of time without fear of dying from wounds, as even wounds fatal to normal humans can be healed from within seconds. The Tennyo no Hagoroko also enables the user to become incorporeal at will, allowing attacks to pass through their body without harming them as well as allowing them to fly and travel vast distances as if they were a spirit. It should be noted that the appearance of the Tennyo no Hagoromo varies depending on the wearer and can actively be changed by them to resemble and function as nearly any type of clothing.” Ryujin calmly explained as both cloaks then disappeared
Omodaru
Anakashikone
“That spear is the Yaoyorozuhokoyakubyōjin which can be generated from any area where bacteria, illness, and disease exist, whether it be within the body of others, on the surfaces of objects or individuals, within the air itself, or from other Yaoyorozuhokoyakubyōjin. They can also be generated anywhere on his body, allowing for surprise attacks and exceptional defence at a moment's notice. The spears are also infused with the Itanhōju's "Temaejōgi: Bukka" (手前定規·物化てまえじょうぎ·ぶっか, Self-Serving Logic: Becoming), making their existence conceptually infallible as long as they are visually observed by a target, whether it's with their central or peripheral vision. Should the weapon stop being observed, its durability will return to its usual magnitude. Hajime can also control their size, allowing him to decrease them to the microscopic scale or enlarge them to the macroscopic scale. When infused with other techniques, the use of the Yaoyorozuhokoyakubyōjin is nearly limitless. As the weapon's effects are cursed with "Priority" (優先ゆうせん, Yūsen), its negating properties are always put a step ahead of the opponent's technique. If desired, should a Yaoyorozuhokoyakubyōjin pierce its target, more will branch out from the initial projectile within the target. This makes it practically impossible to remove from the target while inflicting them with a different disease for every additional spear that emerges from the body. This effect can also be enacted when the spear is blocked. When faced with opposition, the Yaoyorozuhokoyakubyōjin can be used to absorb opposing techniques into itself using a powerful Barrier. As the absorbed techniques are stored within a "Fractal Space" (自己相似図形空間じこそうじずけいくうかん, Jikosoujizukei Kūkan), Ryujin can reproduce any absorbed technique from a desired Yaoyorozuhokoyakubyōjin at any given time. Because they can act as mediums for techniques, Ryujin can initiate surprise attacks from virtually any angle by casting techniques from them. He can also use them as makeshift beacons of which he can transfer himself, target's he has pierced or anything in contact with the spear to either himself or another Yaoyorozuhokoyakubyōjin.” The Devil thought to himself as he smiled calmly, only to then teleport away from him. “So his ability in the North isn’t just the control of the direction… his body… his scales… its beyond the sun considering his other usages of the Directions… are what threatened this universe several times over. That explains my attack having disappeared upon having even made contact with his being. His body… its become all 6 Multiverses itself… he has to be using a hidden Dragon King technique that allows him to fuse with entire infinitely-sized universes, let alone infinite-dimensional multiverses… Wow! That isn’t half-bad. I’ll have to adapt my strategy then… won’t I? Enmaraja Chikashiri (Yama King Blood Curse).” The Devil then said, placing his hand on the ground as a mysterious seal appeared underneath Ryujin’s foot, marking every spot he would move in the near-future. “This technique worketh like this: While a link is established between the opponent and the user, any attacks or abilities formed by the opponent are unable to harm the user. Any techniques or traits used against the user, regardless of power and ferocity, will become inert and are completely ineffective against the user for a certain amount of time. This portion of the curse is automatically activated whenever the targeted individual is within a close proximity of the user. This trait may be circumvented by the opponent once they are able to learn the duration and the amount of time between the activations.” The Devil explained, knowing that it may or may not have an effect as he didn’t sense Ryujin summon the Gōzanze Myō-ō on his back as Ryujin stood silent and calm, knowing the entire universe, if not every other universe (the remaining 8 that were infinitely larger in terms of structures, containing an infinite amount of planets, etc, etc) would be threatened if he even moved a step. “Issaikaiku (All Existence is Suffering): Trait - Defense and Kingly Techniques… Curse - Non-Speed.” The Devil said, as Ryujin then felt his Kaido 90 immediately going onto the Devil’s own body.
Watatsuminomikoto (Great Possessor of the Ocean)!” Ryujin then said, summoning a humongous watery dragon that towered over Ryujin with it encircling Shiva’s flames in seconds. “Farewell, wretched human!” Ryujin thought to himself as he looked beyond enraged, with Ashoka appearing to be visibly damaged somewhat, only to then release Shiva’s flames as the orbs from before exploded causing a humongous explosion to rip through the entire area with Ashoka clearly being damaged. “Inhuman human.” Ryujin said.
He then said “Amenouzumenomikoto” (Heavenly Alarming Female) to summon claw-esque cubes that immediately appeared above Ashoka with him looking visibly amazed.
“Kagenmi.” He then said as time froze around his general vicinity, as he sensed that Tatsuryuu and the others were still alive, simultaneously teleporting the remaining three Dragons who did do quite well to defend against the Meteors, knowing that Tatsuryuu was still on his Journey.
“Konayomyoin (God of the Mountains)!” He then said, summoning a huge draconic avatar around him as Ashoka then activated his Dharma Eyes… for he looked visibly unsurprised as he quickly summoned a black orb that started to devour the very world around them. “Almighty Push.” He then said, pushing the great avatar back, as an invisible barrier thus surrounded him in that instant as Ryujin felt it was being absorbed into Ashoka with Ryujin then flapping his wings, summoning huge torrents of winds that only exacerbated his dragons’ injuries as Ashoka then used Winds of Vayu, sitting on the winds.
”Go’un!” Ryujin said, reappearing with the slightest ease as Ashoka’s seventh spoke activated itself, nullifying the questioning abilities of the illusion completely as he then summoned the famed blade of Nandaka. “Narak ke Kila.” He then said as Ryujin was barely affected, spinning backwards and grabbing Ashoka’s head in an attempt to send him into the ground.
“Wuji: Toki no Hoko (Roar of Time)!” Tatsuryuu said as Ashoka looked quite surprised, as he sensed time stopping only for him to instantly attack Tatsuryuu as he could not react. “The Roar of Time has affected the other doors, each of which are bigger by a dimensional and infinite amount.” Tatsuryuu calmly said as he summoned an Ushi-Oni who fired a black orb at Ashoka only for him to smile and send it to Naraka.
“Ryu: O no Me - Yabureta Sekai (King’s Eyes - Distortion World).” Tatsuryuu said as he tried to put Ashoka into an illusion of a nightmarish world, distorted beyond all belief, as all myths and concepts were warped where logic, time and space were truly flipped as fractal madness was the norm where the world could hardly even be described. “Mido 3: Water Prison of Guanyin’s Vase!” Tatsuryuu said as he trapped Ashoka in the form of a bubble that surrounded the entire world. “Nonduality… Anantam (Infinite)” Ashoka said, making the technique and entire world completely meaningless despite the fact that it was beyond meta-concepts inherently as he also sensed Nandi and Narasimha being burnt alive by the Soul Flame.
“Ryu: Mikadonokōjingi (Sacred Imperial Treasures of the Celestial Sovereign)!” Tatsuryuu said, allowing the Dragon King to fully manifest itself in all of its divine glory. “Armour of the Dragon King: Release!’ Tatsuryuu said as his clothing turned into something else entirely, becoming purely white with a crown on the front as a golden dragon symbol appeared on the back as his cape was still blood red, as he also wore a beautiful crown which was golden on one side and white and truly worthy of someone like himself, as the golden side bore the insignia for Yin and the white bearing Yang; with the top revealing the words Heavenly Sovereign on in, as his black hair looked unique, truly a resemblance of the absence of the concept of colours themselves, as he bore the Phra Saeng Khan Chaiyasi (The Sword of Victory or the Pra Sankhon Chisri or the Pura San kuhorun chaisuri) in hand as the hilt has a length of 25.4 centimetres (10 inches) with the blade measuring 64.5 centimetres (25 inches). When placed in the scabbard the sword has a total length of 101 centimetres (40 inches) and weighs 1.9 kilograms (4.2 pounds). The sword’s neck between the blade and the hilt is decorated with a gold inlaid miniature of the Garuda on its course to one of the Svargaloka as Ashoka smiled. “Give me everything you have, O Dragon of Death!” Ashoka confidently said as they both clashed in hand-to-hand combat, equalling each other in physical force and capability with Ashoka focusing his Bodhisattva Form into his fists as Tatsuryuu witnessed his sword visibly cracking in shock from his immense strength, as both of their Prana clashed together with Tatsuryuu immediately backflipping away in an attempt to get away from this demon of a human. “Letting you go like that is not something of sure acuity,” Ashoka said as Tatsuryuu looked shocked upon seeing this old man calmly blitz him, grabbing his arm from behind. “Jinsokutsu.” Tatsuryuu thought to himself, attempting to teleport away from his enemy as he then immediately appeared behind him using Anima and kicked him into the ground as he also then sensed Savitr still appearing behind him.
“I don’t particularly want to continually use the miracles of the Buddha but still… if you have to in order to win, here goes. Jū-riki no Ryōiki: Kiseki no Saigo (Domain of the Ten powers: Miracle of Finality)!” Tatsuryuu then said as light once more shot out from his being with the clones of the Ông Trời looked surprised but then used their divine abilities and control of Fate, Laws, Unreachability as well as being at the Zenith of their existence to try and stop this usage of what appeared to be a miraculous power. “Even without Prana and my powers, I will always have access to this. Think of my left eye having the Six Supernatural Powers and my right… having access to all of the Miracles of the Dragon God and the Buddhas and all other supernatural beings. Its much like the Dharma Chakra of Raijin’s Fall. It is absolute, transcendent. But still.” Tatsuryuu thought to himself as he smiled peacefully and dodged each of Hayagriva’s attacks with his Kaumodaki mace. “Ryu: Sōzō no Koe (Voice of Creation).” Tatsuryuu then said as his domain was not the Dragon World, but instead the multiverse-sized world of his own creation and just this one door of an infinite amount of dimensionally-transcending doors. Hayagriva then attacked him somewhat. “For I am the form of the Wisdom of Vishnu, it is surely clear that you are too strong for us. For I am surely weaker than Narasimha, the lion-clad killer of Hiranyakashipu, the Asura King of whom the lord Ashoka beareth his boons along with that of all others within himself for he can surely beat me with a move of ten or its lesser.” Hayagriva said calmly as Tatsuryuu looked surprised, seeing him withstand the direction-pulling and controlling power of the Dragon King. “I surely managed to use Vishnu’s power to overpower thy direction-based influence.” He then said as Tatsuryuu smiled, remembering when he fought Vishnu and each of his avatars. “This is the end.” Hayagriva then said, relieving the earth from his nose and firing it at Tatsuryuu as a golden light shone around him and completely destroyed the earth which contained innumerable universes to Hayagriva’s surprise. “As the saying of the future physicist Albert Einstein goes: there are only two ways to live your life. One is as though nothing is a miracle. The other is as though everything is a miracle”. Tatsuryuu calmly said as this golden light was indeed a miracle which was a part of his ability.
“Jū-riki no Ryōiki: Kiseki no Saigo is a part of Sōzō no Koe, the technique of the Dragon God, Ryujin, who could control any aspect of reality as though it were a part of him. Jū-riki: Lé la wangwa (Ten Powers: Power over Action). Farewell… boar.” Tatsuryuu calmly said as the power over Action allowed him to do whatever needed to be done at the time, as he immediately used Ryudo 7 to slice Hayagriva in two, removing his causes and effects towards himself entirely, effectively annihilating all of his attacks, as the Totsuka no Tsurugi mysteriously appeared in hand, sealing him away for good. “So you used the Power over Action to do whatever you wish. Impressive.” Ashoka said to him as he realised that Tatsuryuu indeed had infinite potential in all things. “Indeed. And then to deal with the rest… I could continue to use the same technique but considering that they are indeed all-powerful clones in the most literal sense, using something of the exact same pantheon could do something to quell them. Khổng Lồ: Pangu’s Cleaving.” Tatsuryuu thought to himself, summoning the Treasure of Pangu to utterly shatter the ground with a single strike that put Ryudo 88 in the dust as the clones looked visibly shocked with the shattered ground visibly forming itself into an egg of some kind that was larger than many a mountainside. “Your control of fate won’t save you now… even if you are omnipotent, I can easily grant myself omnipotence in its most literal sense using the power of Thần Trụ Trời. But still… Quân Đội Của Thiên Đường (Army of Heaven)...Seal.” Tatsuryuu then said, pointing the Totsuka no Tsurugi at the ground as one barrier that was as large as the Thirty Three Heavens combined surrounded them, forcibly sealing them into the ground on a conceptual level, as they were then mysteriously sealed into his sword. “Now that they are dealt with… its time to end this fight, Ashoka.” Tatsuryuu said as Ashoka smiled peacefully. “To damage him, I will have to use the Totsuka no Tsurugi in tandem with a strategic mind but I lack my powers.” Tatsuryuu thought to himself calmly, readying himself for what would be. “Guanyin’s power is inherently above the Chinese deities along with those of the others you bear and Indian pantheons, regrettably thus is her form of Guanyin above such entities.” Ashoka calmly said as Tatsuryuu immediately appeared behind him and then struck him with the Totsuka no Tsurugi, only for him to grab the sword’s blade. “To fight the Buddha’s power… you should know that in order to do so, you must bear a power of equivalence or sure superiority. But considering you lack the necessary power to damage me, let it be known that you-!” Ashoka explained only to see a familiar wheel around Tatsuryuu’s head as he jumped back calmly.
“Ryu: Draconic Balance - Chimatakami.”, summoning small red scales that balanced Krun on them. “Now then… equalise his capabilities with mine and then… make him the lowest of the low without doubt.” Lucifer said, making this the truth of truths as well as combining that with Ryōiki Shinshin (Crisis of Lilith) and
Dragon Sage Art - Original Art of Worldly Creation: Force of the Dragon King (World of Mana) as claws appeared around Kento’s eyes as though he had fully absorbed natural energy into himself as the usage of the Original Art surrounded all levels of Hell as well as the entirety of Creation outside of such, even overpowering the World of Mana that Krun had access to (yet it didn’t dominate the World of Darkness) with Krun seeing himself in a position of clear desperation, barely able to hide this fact of truths. “How about we counter you with… your own speciality? Open…” Krun said, forcing the Ritual Circle to manifest itself in front of himself as everyone sensed a malicious presence coming from it.
“Now then… Shin Rengoku no Hono: Ryū-ryoku no Metsu - Tennomuga no Kyōchi: Shōgaku Arayashiki no Zaruenou Satori (True Flames of Purgatory - Anattan Eighth Consciousness of Enlightenment).” Tatsuryuu said as he opened his eyes, revealing his normal eyes as he pressed his hand on the ground, releasing dark blue energy. “Ryu: Hinatafukai Sekaishufuu.” Tatsuryuu then said as all of the damage he caused throughout the planet had essentially completely disappeared, revealing the world prior as the old world before the recreation was fully seen in its perfect form, as Ashoka looked visibly impressed as Tatsuryuu smiled, as he was thus no longer dejected.
“Ryu: Umashiashikabihikoji (Elderly Pleasant Reed Shoot Prince Kami)!” Ryujin then said as Ashoka felt the entirety of space and the staff being slashed in two, with him feeling the rapid decline of space-time on a fundamental level.
“Ryu: Kai no Shi (Flames of Death).” Ryujin said as Ashoka looked visibly amazed, seeing him survive this insane attack. “So he won’t die… until he finishes his mission of ending me.” Ashoka thought to himself as the barrier summoned by Ryujin released itself.
“Ryu: Shintai Seiatsu - Hono no Shinbunshin (Draconic Art - Bodily Control: True Flaming Clone).” Ryujin then said as an exact copy of himself appeared beside him.
“Ryu: Inorganic Reincarnation of Nature.” Ryujin then said as Ashoka felt himself being plunged into the very earth as mountains bound him alongside continents and sinkholes. “The relentless assault of the earth’s crust will constantly attack the opponent until the natural balance has been restored. No matter what defensive methodologies the opponent would attempt to survive using this technique, living a life of continuous running would eventually become tiresome and death would eventually ensue. In short, this technique acts as the ultimate nullifier for Prana.” Ryujin thought to himself as Ashoka was still being heavily damaged.
“Ryu: Zouchouten (Wishing of Growth), wishing himself to still remain at 0% power, knowing he could survive this without effort
Ryu: Lóng shén zhī xīn (Dragon God’s Heart) to create an orb in hand which was 11th dimensional in power as Satoshi used the Shadow Sword, creating a barrier of Mana as well as using a void that came from the Shadow Sword’s core.
Satoshi to then use Ryu: Dragon Orbs to make seven balls that could grant omnipotent wishes which could not revive him as he sensed everything being completely destroyed shortly thereafter as he now had his Original Power in its truly omnipotent, transfictional, logic-defying and existent sense even though he surely was not Omnipotent, summoning all of the Dragon King’s regalia as he was already in his True Form whilst bearing his Original Power and maintaining his current form, transcending himself as the King of Light fully. “That was only a minute… no time, no space, mathematics, logic and all the rest is gone… it appears that this is the end. Kento was truly strong. May we meet again, Kento, for it is clear that you are superior in the usage of divine powers as I do acknowledge that thy Reality Alteration powers are weaker than mine but your potential is indeed infinite in truth. You being the Final Reincarnation inherently means you are the strongest for the Story. We will meet again in that Time though where our powers will mean nothing.” Satoshi said, smiling calmly, knowing this was the end of their titanic battle as his Okami was released as Moksha had now surrounded him (as Kento had activated this in a delayed manner therein) with his soul then returning to the time before he fought Kento, surrounding his now unfrozen self (by way of the Zamharir in the 7th Gate) in the Sarcophagus and teleporting away as nothing of Kento remained only for the Sarcophagus to then shut itself, sealing Satoshi away only for an absolute miracle to occur. “He’s alive?!” Ryujin thought to himself as Satoshi had won anyway with Kento teleporting himself back to the Arena, completely stark bare with the Tree of Life on his front and Tree of Death on the back as he had no eyes and no hair
“Ryu: Daikōfushō (大光普照, literally meaning: Universally Shining Great Light)” Kento then said, devouring the entire Arena in an infinite amount of light as he then combined this with Earthly Death, forcing Satoshi to compensate by plunging the Shadow Sword into the ground and surrounding the roof of the Arena with Mana to protect himself from its adverse effects with him then shrinking behind Kento
Ryu: Bīng Huǒ Liǎng yí yǎn (Ice-Fire Yin-Yang Wall) as Tatsuryuu looked quite surprised. “He’s controlling dualisms. The hot spring isn't large, it is split into two parts. In the oval pool, the waters of the hot spring are separately coloured milky white and vermilion. Even more bizarre, even though they were in the same pool they remained clearly separated, not encroaching on each other and constantly keeping to their own sides. Ordinary plants are basically unable to grow in this environment since they cannot adapt to the special atmosphere, but certain valuable plants can nevertheless be cultured. The time required for cultivation of rare plants would be reduced tenfold. The Ice and Fire Yin Yang Well isn't just for growing things. At the same time it had extremely unusual effects on the human body. If humans or maybe animals stayed at the side of the Ice and Fire Yin Yang Well, then in a very short time their bodies would be attacked by two kinds of extremely potent Heavenly spiritual influences. If they didn’t leave fast enough, their bodies were bound to burst and die. It is protected by the seven-coloured miasma. It’s one of the strongest poisons in the world, capable of corroding anything. It has been gathering on top of this mountain valley for many years, and there’s also some found in the surrounding forest.” Tatsuryuu then explained
“Ryu: Draconic Balance - Chimatakami.”, summoning small red scales that balanced Krun on them. “Now then… equalise his capabilities with mine and then… make him the lowest of the low without doubt.” Lucifer said.
This sand is even more than several hundred trillions Ganges rivers… and the grains of the Ganges rivers are infinite…” Tatsuryuu said calmly as Satoshi looked somewhat shocked only to then use Jisshahikkyo (the Full Inevitably Empty), creating a weapon that resembled a bow and arrow only to immediately fire it as Satoshi then dodged it, with the arrow homing in at Satoshi at full speed only for his left arm to then absorb the arrow, absorbing its very essence, power and information with him then firing it back at Tatsuryuu who countered it with ease. “Mido 100: Sanzu River.” Tatsuryuu immediately said, allowing the ocean to drown Satoshi with Tatsuryuu smiling, knowing that he would win ---> Ryu: Jisshahikkyo - Fukakutei (実者必虚 - 不確定, literally meaning: The Full Inevitably Empty: Indeterminacy).” He then said, manipulating the boundary between fantasy and reality, forcing the avatar to no longer exist making it a truly useless beast.
Ryu: Antithesis of the World.” Kento then said whilst extremely drained for the clone was at an end, reversing not only this situation but all situations within which Ashoka was present in the Past and Future, reversing his memories, life, powers, death, concepts, etc, etc back onto Ashoka… only for the shield to see that as a bad deed for Kento, whilst also forcing upon him equivalent strength and then dividing that even more so… as the clone and Lucifer (in Kento’s body as well as Krun) felt themselves desiring death as the clone… then vaporising itself conceptually.
Ryu: Celestial Divider, employing the highest form of his ability to make anything he desired negative by wiping it away in half as Lucifer then used Anti-Magic to shut down the Enchantment which it did…
“Ryu: Divider.” Kento then said, halving the strength of everything around him that he considered negative. “Fantasy Creation allows me to create anything I desire with a thought… I only summon clones because that is the easiest thing to summon but my imagination becomes Reality.” Kento explained as the clones then responded by also using Materialise Fantasy to summon and trap him in a universe made by their imagination, stacked on top of 13 universes as a huge Ritual Circle appeared above him, summoning chains that bound him feeling his strength and powers being conceptually removed per each link which could bind space itself as his soul was also removed from existence as he felt the Dragon King Palace disappearing. “I should have not said that. But still… Zettai Mugen: Hansha (Absolute Infinity: Reflection).” Kento then thought to himself, reflecting the intention of his clones sealing back onto them 13 times over, affecting them with enough power to destroy all 13 universes in one go 13 times over as the clones smiled menacingly with all of their powers still remaining, reflecting Kento’s intention back onto him as they all fought Ashoka who was barely affected by their powers, battling all 13 at once as they each used Enchantment to create natural disasters within the illusory world as Ashoka then combatted all of them by making it so that the span of the disasters were all halved.
“Ryu: Sansaishichinan (三災七難, literally meaning: Three Calamities and Seven Disasters).” One of the clones then said as Krun fired a few slashes from the Shadow Sword at Kento who then manifested a barrier of blue fire. “Ryudo 2: Draconic Binding!” She said, as gates appeared from nowhere, almost collapsing on top of him, as he then noticed a large blue wall of flames surrounding Krun who looked shocked
“Ryu: Amenokageseo (Scarecrow Male of Heaven).” Kento then said, summoning tears into reality which summoned 99 chains forged from his blood and chakra capable of being manipulated to various sizes to fit nearly any situation. Deceptively fast and far reaching, they are known to swiftly eviscerate anything they come in contact with as they flay both the flesh and spirit or bind even the most obstinate of foes while nullifying their chakra. To lowly beings who have the displeasure of encountering him, it would seem as if at the same time Kento bears a thought of using this technique, they have already been struck or neutralised. In truth, the chains of Amenokagaseo do indeed follow the whims of their bearer, but they can also be said to have a mind of their own. They react autonomously to any threat against Kento, including those he may not be aware of. They will block, absorb, or disperse nearly any attack carried out against him in addition to seeking to eliminate the offender unless he wishes against it as Krun then used the Crisis of Lilith, averting any future harm ‘pon his gaze only to then have the Ritual Circle surrounding the entirety of the sand.
“Ryu: Gate of Will”, binding him in conceptual gates that were the embodiment of misfortune.
“Ryu: Tenchimuchitsujo (天地無秩序 literally meaning: Chaos Befalling The Universe).” Tatsuryuu then said, causing the entire outside world (despite being frozen in time as well as transcending all of space) to be frozen, burnt and also resemble a desert all at once. “With a mere wave of the hand, he could rewrite the landscape into any image he sees fit, re-shape it, then utilize it as if an extension of himself on a continental scale. He could generate and finely control sequences of natural disasters such as earthquakes, thunderstorms, tornadoes, blizzards, even volcanic eruptions - this modality was quite paradoxical as even in places devoid of atmosphere, one could be formed with natural energy to give way to these catastrophes.” Kento thought to himself
Ryu: Tenri (Order of Heaven’s Law), casually summoning two suns with a mere thought in front of Satoshi and behind him as his clone then directly attacked him with his Okami, slashing him with his sword only for Satoshi to calmly block it... in Raijin’s Fall…there is no phenomena he cannot adapt to, no opening he cannot exploit, and no action of his own is wasted. With him, coincidence does not exist and his works are fated to occur with him then combining this with Ryuten Rengoku as nothing actually occurred as his wheel spun, allowing Tatsuryuu to blitz Azathoth’s Void entirely with a single clap (and movement since now his Amenotejikara was his own movements and required a clap no longer) with Satoshi looking surprised, since he had never moved from his spot.
"Ryu: Kugutsu no Shi - Kaishi (Puppet of Death - Boundary).” Ryujin then said, releasing his very being, as Ashoka then forced Ryujin to be pulled towards him without restraint… only for Ashoka to press his hand on his clothing, ending the fight for good.
Iwado 92: Zanmai (Sealing Stone: Samadhi) to summon a black orb. “Just like Kento’s Celestial Devastation. When autonomously received, the seal “仮諦” appears on the targets chest. Once fulfilled, the technique may be activated at any time. Once activated, the very earth itself attempts to attack the opponent as if it adheres to the user’s willful domination. The entire environment is rendered as fuel and because he warped space earlier, he should be able to use the entirety of the world as his domain. Massive boulders, stones and even dust itself will converge on the opponent. Even larger pieces of earth will orbit around the opponent before violently slamming into them which is often fatal. No matter where the opponent attempts to flee, the very ground itself will continue to assault them until the sealing chamber is complete. Immediately when complete, a massive spherical sealing stone will encase the opponent but still allowing a chance to escape. However, the chance is fleeting as the small planetoid will begin to absorb the opponent’s life force, causing extreme fatigue and physical degradation. The energy within the sphere is perfectly distributed and constantly circulates throughout which makes escape even more difficult. This mitigates most attacks from both outside and inside as the sealing stone repairs itself. The rubble then tightly compresses itself crushing anything left within. Looks like I will add something to wrap things up.” Tatsuryuu thought to himself as he then remained calm. “Ryudo 7: Cause of Absolute Severance.” Tatsuryuu then said as Ryujin was immediately struck with a plethora of strikes that had completely transcended the very concept and nature of cause and effect.
Ryu: Uchu-Subete no Tatsu Zangeki (Slashes that Cut All of the Cosmos)... Raido 94: Ichigo Ichie (Once in a Lifetime Encounter)!” as a myriad of slashes manifested themselves from thin air as Rairyuunogouen countered by using his Vajra. “SHIT!” He thought to himself, immediately becoming light itself as Ryujin smiled.
“Ryu: Kagaseonosekihi (香香背男の石碑, literally meaning: Stelae of the Brilliant Male).” Ryujin said, summoning massive monolith-like structures he may call forth at his behest. Able to manipulated to variable sizes, the stelae bore an absolute crushing force and could appear at nearly imperceptible speeds which made them nearly unavoidable for most foes; they are, however, somewhat slower than his spears. The Kagaseonosekihi passively absorb ambient energies and diminish sensory abilities of any nature, in addition to draining the energy of the target as Rairyuunogouen looked quite surprised.
“How about I use your powers?” Rairyuunogouen thought to himself as he felt his senses dulling but thanks to the natural energy of the entire world… his senses were still in peak condition. “Vajric Trap: Kusanagi no Tsurugi (Ama-no-Murakomo) - Banmoeru Houno no Kaminari no Ryu (All-Burning Flames of the Thunderous Dragon).” Rairyuunogouen said, using the Vajra to crush the ground, revealing a deep chasm in the earth that lit with blue flames. “Burn!” Rairyuunogouen said, reminding himself of Kento’s blue flames as Ryujin looked visibly shocked, as they latched onto him and seemingly infinitely burned him as he also felt wind devouring everything around him.
“This battle is over.” Ryujin said as Iwaryuunogoen immediately used Ryu: Ingakankei 因果関係いんがかんけい, Causal Nexus), a technique that can grant the user infinite reactive adaptation, allowing them to adapt to a given ability, situation or environment with him deciding to end things here and now. “Iwado 70: Prayer of Absolute Deterrence!” Iwaaryunogouen said, using a massive light that devoured the entire world with Ryujin surviving that, despite having one arm even if it disabled the Kaido 90.
“Ryu: Sonshinjihoshi (尊神支持星, literally meaning: Revered God Upholding The Stars).” allowing him to clap his hands. “Sonshinjihoshi is the power to “defy” (逆らう, sakarau). It is the very manifestation of defiance and subversion; just as the stars, even when unseen or eclipsed, continue to shine undeterred, so too does the influence of he who upholds them. To those who experience this technique, it is primarily characterised as an insensible, invisible, and wholly inexplicable force that bears down upon all of creation. Multiple objects or beings could be swayed at once and enough pressure could be generated to pulverise limbs, sunder steel, or lay waste to entire worlds with utmost ease. Even those immaterial and like find themselves subjected to his influence as all things merely are. The most distinguished and arguably perilous attribute of Sonshinjihoshi, however, is its innate degenerative property. Insidious in nature but assuredly potent, it is likened to an irradiation effect that negates, disrupts, and corrodes what may draw near to Mikaboshi, ranging from living beings to the inorganic. While it’s strength and precision can be modulated, generally the closer one gets to him the stronger the effect; the end result is reduction to nothingness. As such, no lowly being may draw near him and any frivolous power used against him shall never prevail. It is an absurd ability of unparalleled versatility and the envy of all who long for godhood.” Iwaaryunogouen thought to himself as Iwado 102 was now beginning to activate as Tatsuryuunogouen and Mizuryuunogouen also sensed this as everyone else also did in the Arena. “The 102nd technique for us Dragons is the Dragon Form activation, meaning this form is either transcending the true nature of his Bodhisattva self… or… it is indeed the Earthen form of the Final Brahman however Ryujin is indeed above Kento in the Final Brahman at the time but he is also below him in truth. Thus… it is indeed that Iwado 102’s humane form is that of absolute amplification. What is called perfection in the Earth Treasure Sutra is called infinity in the Infinite Life Sutra. Not only can life be infinite, everything can be infinite! However, of all the infinities, that of life is the most important. We may have boundless wealth and immeasurable good fortune, but how can we enjoy them if we do not have sufficient lifespans? Therefore, the Pure Land School uses "infinite life" to symbolize all infinities. In the Earth Treasure Sutra, the ten Brightness Clouds represent this concept. "One is all, and all is one" clearly explains the infinite cosmos and life. Upon what did the Buddha base his teachings of life and the universe? First is the Great Perfection Brightness Cloud. The great perfection of Tibetan Buddhism is the true self-nature in Chinese Buddhism. The true self-nature is great perfection. Thus… his final Iwado 102 is a likely equivalent of Nirvana with a remainder meaning 103 is him becoming the Buddha… Rairyuunogouen is stronger than him due to the elemental advantage alone alongside the power of the Vajra and Wuji/Taiji together plus the usage of Black Flash as inidivudal components whereas Mizuryuunogouen is superior by way of Mido 99 and Mido 100, 101 and 102 however this form of Iwaaryunogouen, given everything could perhaps be superior to both Rairyuunogouen and Mizuryuunogouen.” Tatsuryuu thought to himself as the brown energy was now around Iwaaryunogouen completely. “Thus, this Iwado 102 takes the power of his Dragon Form and manifests it fully in his humanity, where he is attaining the power that Ashoka himself did in his youth with regards to the Earth, hence the constant non-appearance of his humane form except in the form of rare occurrences. In essence, he could likely recreate this entire Dragon World by controlling the very concept of rock; being undimensioned, beyond dimensionality and all physics. It is thus that, if this be the trueness of Iwado 102, then 103 is the final technique of the Dragon Princes and myself therein with it being a sacrificial technique (except in the case of Black Flash) that manifests the elements’ true power. Therefore… Iwaaryunogouen in this instance could shatter all conceptualisations as his usage of 103 surpasses all Bodhisattvas and likely all the Buddhas with the sole exclusion of Ashoka. Yet, he is my inferior.” Ryujin thought to himself as he then said “And now… my most powerful Kaido. Kaido 102: Armageddon of Eternal Death! Even this world of complete timelessness will know the flow of time with thy worst enemy who shalt be subjugated under the flames and vengeance of the dead ye hath severed the connection of time and cause!” as the other dragons felt his full power manifest with Iwaaryunogouen clapping his hands and throwing his staff upwards with Tatsuryuunogouen having the staff teleported into his hands.
Ryu: Jikokuten (Time Keeping Heaven) to place the dragon within the Dragon Palace, deleting its very idea of time as Arpachshad then used the orbs which transformed into halos and fired itself at the speed of light, only for the seal underneath his feet to glow… amplifying its speed to a speed beyond all definitions of time itself at Ryujin who then grabbed one of the arrows which then turned into blood and appeared to go in his bloodstream as he then used Kaido 89 in the form of an ember from the tip of his sword, immediately teleporting it to Arpachshad as he looked shocked, only to see it blow up in his face, cleaving the entire Moon (excluding the Moon Clan Palace) in half with that one hit, leaving severe burns on his face as he laughed.
“Ryu: Palace of the Thunderous Origin.” Ryujin then said as Arpachshad’s being survived even this, only to see the symbol of “Rai” in his hand. “So if you place that… I am finished.” The Devil then said, only to then keep it in his hand. “This universe you threatened to destroy is composed of many dimensions… at least 11… Hell… Heaven… the Lokas… the Thirty Three Realms… the lot in this one universe… and to think the other eight are bigger… infinitely so… outside of this is the Multiverse which containeth theorems and all the rest… but the Omniverse transcends that infinitely… think of it like the Multiverse having infinite dimensions… which it does but the Omniverse is above that… the Multiverse is boundless in that regard… space-time exists fundamentally on a different level… yet with your techniques… you can create an infinite set of parallel, possible and impossible worlds can’t you?” The Devil asked as Ryujin looked shocked upon being asked such a question, only for his left hand to glow red.
“Ryu: Benzaitennyou (Goddess of the Reasoning Faculty).” Ryujin then said, only for darkness to surround the Devil’s view who then reflected it without even needing to move only for Ryujin to smile and absorb it. “Shadow Revolution - Demonic Pillar.” The Devil then said, controlling Ryujin’s shadow as he then appeared behind him only for the effect of North to manifest.
“Itanjasetsu (Faith’s Heretical Doctrine).” The Devil then said, using his own technique to once more possess the seal’s area which was the entire Moon.
“Ryu: Daidarabotchi.” The Devil said, shrinking entire mountains that fully eclipsed Mount Sumeru in size which came from the Dragon World as Ishmail was squashed by Ryujin’s claw, with his ability to see all of time having been rendered useless as Ahsedar then sensed this, snapping her fingers, rendering her “son” immune to Ryujin’s future attacks.
Ryu: Time Keeper of the Fortune Palace which negated Jikokuten completely as the Devil screamed only to witness a purple diamond seal on his stomach. “Your fate will resemble mine own… Dragon!” The Devil said as he was then sealed back into Hell with Arpashchad’s vessel finally dying for good as Ashoka looked at Ryujin manifested his full strength as Ashoka allowed the gates to be broken only for Ryujin to then unconsciously use Draconic Art: Blood Consumption which allowed him to use the remnants of the gates and absorb their contents.
Ryu: Lapse of the Dragon World: Shukumeinoshi (師の宿命 literally meaning: Master of Fate)... Bodhisattva Form: Kalki.” Ashoka said just as Kento fired the black orb of Ayin which can never be spoken of, spawned it on Satoshi who used Azathoth’s Void with fate itself meshing to Kento’s whims as time went non-existent with Satoshi being pulled into the centre of the explosive purple flaming orb as Raido 34: Taijou Shingon (Mantra of Neglect) manifested directly above Ashoka
Amaterasugenkai (アマテラスゲンカイ Amaterasugenkai Lit. Black Flames of Chakra, Energy and Divine Power): was an Energy and Chakra Manipulation Ninjutsu, Shinjutsu, and abilities that allowed them to warp, distort, manipulate and control both Chakra and Energy, form eternal and external sources.
The Cursed Technique: Division by Zero (呪術式ゼロ除算Jutsushiki: Zero Jowan), is a technique similar to Void Division in capacity but it instead divides things, such as cursed energy or cursed techniques by dividing their capability or amount in half.
The Cursed Technique: Cause of Absolute Severance (呪術式絶対的な退職の原因 Jutsushiki: Zettaiteki no Taishoku no Genin) is the final technique of the Barrier, which uses the concept of non-movement to remove and control the cause and effect of techniques that are shown to the user. This can also allow for the user to be healed through removing the effect of techniques used against them, thus allowing them to 'adapt' to techniques by permanently removing their effect.
Domain Expansion: Sphere of Nothingness (領域展開 「無所有処」Ryōiki Tenkai: Mushoyusho) is the Domain Expansion of the Barrier technique. It is unlike most Domains in that it lacks a sure-hit effect, but what it lacks in a guaranteed effect, it makes up for in sheer range. Mushoyusho can be set to 300m in length, width and breadth, summoning a endless sphere of pure darkness that surrounds the opponent(s), creating an entirely new space where the senses become removed as the true nature of the Barrier's ability to control non-movement is revealed; with the concept of directions becoming meaningless. Once inside, the opponent sees white lines 'in front' of them, causing them to go back in time to their previous state. The user can control the amount of times they revert to their previous states of being, which can erase them from existence and inevitably shatter the mind of the target. It is activated by placing the middle and index fingers together.
Ryu - Musōkai: Passively, unlike the Senninsenshoku, both Jinpachi and Yuishiki are able to enter a sub-realm in the Mental Plane known as the Realm of Dreams (夢想界むそうカイ, Musōkai) or Dream World (夢幻界ゆめゲンカイ, Mugenkai) and to an extent, dreams within dreams. This realm only exists due to the consciousness of living things in their slumber. The realm is perhaps infinite in size and will continue to exist as long as there is slumber. It is safe to say that all living things that experience sleep are able to enter this realm and via chakra and advanced knowledge of dreams and perhaps years of study or decades of study, one is able to alter certain facets of this world as they see fit and even enter the dreams of another. Though an essentially incomprehensible concept, there is a Realm of Dreams as a whole that encompasses the dreams and nightmares of all. As a wish of immortality, one can stay within this realm as long as they desire, even if their physical body of completely eradicated, they will still persist in dreams though not on the mental plane as a whole, unless they will the ability to do so.
The Dharma Wheel Reincarnation is an exalted reincarnation technique within Omoikane’s Tenseigan. It is a demonstration of its sovereignty over Regeneration.With the authority of his Tenseigan and by localizing his chakra cloak into his hand, the monarch is able to manipulate the Opening and Closing of the Afterlife Gates (開閉幽世門, Kaihei Kakuriyomon), allowing him to summon forth souls and other forms of specters residing within Heaven, Hell, and other spiritual planes such as Limbo or Purgatory. These souls can be directed to take possession of others and overcome the victim's own, sending their soul to where they originate and making their body a vessel to contain them, granting them reincarnation. In the case of powerful targets, they can resist possession if their soul is stronger than the invading one. Reincarnated individuals will preserve all their knowledge as well as their personality and autonomy from their past life; however, there is no guarantee they will retain any of their unique abilities that stem from genetic abnormalities such as kekkei genkai and kekkei tōta as they are within a new body - it depends on the potential of the vessel although it is exceedingly rare. They do, however, gain the powers, if any, of their vessel. This technique could also be used to prevent the passing of souls to the thereafter still within the living realm - in other words, souls currently in Limbo, hovering between life and death, can be forced back into their vessel to withhold death, but the injury that caused it will still exist.
Jiyūnakatachiosōteishite - Jiyūnakatachiosōteishite is a tool that allows Gatten to shapeshift into any form or individual within his sensing radius, even duplicating their chakra signature, clothing, tools, and abilities. However, any copied abilities are a far-cry from the full potential its true owner could draw out. Additionally, he could perfectly transform into animals, flora, even wholly inanimate objects.
The Isaoshigan (有功之眼, literally meaning: Meritorious Eye) is a dōjutsu kekkei mōra manifested as the third eye of Kanzeon Ōtsutsuki - through her, she blessed Longnü Ōwatsumi with a variant as well - Regarded as the "Otherworldly Jewel of Transcendental Knowledge", the Isaoshigan grants Kanzeon the ability to perceive the flow of karma and determine the possible consequences for every action, word, or thought before they've even happened. As such, Kanzeon always makes the most optimal decision in any scenario to achieve the best possible results and has an intimate understanding of karmic maturation throughout her subject's lifetime. Through this visual faculty, she could perform Gen'intokekka.
Ryu - Tiānlóngjutsu (天龙術, literally meaning: Heavenly Dragon Techniques) are a collection of techniques practiced by the Sihai Clan Dragons native to Tiānxià.
Ryu - Hōbenzengyō (方便善巧, literally meaning: Skillful In All Means) is considered one of the most complicated of the Eightfold Path Techniques (八正道の術, Hasshōdō no Jutsu) used by the Noble Ones (聖者, Shōsha), yet also the most simple. It requires a mastery of the Middle Way (中道, Chūdō), a practice on the truth of non-duality being the inherent nature of all phenomena. This technique is representative of the right concentration, perfect awareness, and a tranquil unification of mind. As all things are essentially non-dual and one with the fundamental whole that is the ultimate reality, the Noble Ones could manipulate matter through the six degrees of freedom akin to telekinesis in an unspecified range with themselves as the epicentre. To those lacking a grasp on power of the Middle Way, Hōbenzengyō is characterised as an insensible, invisible, and wholly inexplicable force that bears down upon the three worlds. Multiple objects or beings could be influenced at once and enough pressure could be generated to pulverise limbs, sunder steel, or ravage entire regions. Even those immaterial find themselves subjected it. While there is no set limitations to Hōbenzengyō, massive items, entities, or things moving at outrageous speeds require a greater degree of focus to manipulate or halt, however such factors depends more so on the experience of the user. Noble Ones such as Kanzeon and Manjusri are nigh-impossible to touch due to their utter command over this technique. In fact, no being may so much as draw near them without first being permitted if they lack any knowledge of the Middle Way.
Ryu - Sansaishichinan - (三災七難, literally meaning: Three Calamities and Seven Disasters) is a calamitous Daisenjutsu (大仙術, literally meaning: Great Sage Technique) created by the Seven Great Sages (しち大仙人, Shichi Daisen'nin) "all things in nature" (森羅万象, Shinra Banshō); by harnessing and infusing their will into the boundless energies present throughout the material realm, they could disrupt a planet's harmonic balance and bend the very world to their whim. With a mere wave of one's hand, the Great Sages could rewrite and reshape entire landscape into any image they see fit, utilizing it as if an extension of themselves on a continental scale. They could generate sequences of natural disasters such as earthquakes, thunderstorms, tornadoes, blizzards, even volcanic eruptions. These phenomenon could be controlled with such finesse, they could be isolated to specific areas or occur across the globe. Sansaishichinan was also interestingly paradoxical as even in places devoid of atmosphere, one could be formed with natural energy to give way to these catastrophes.
Ryu - Amenoasahinomikoto (天朝日命, literally meaning: Heavenly Lord of the Rising Sun) is a Shinjutsu (神術, literally meaning: Divine Technique) that allows the user to use the sun to fully amplify their powers.
Ryu - Nyorainotsukai (如来の使, literally meaning Envoys of the Thus Come One) is a technique but what it does is unknown
Ryu - Shinzanmaigedatsuka (真三昧 解脱火, literally meaning: True Samadhi Liberating Fire) is both a Daisenjutsu (大仙術, literally meaning: Great Sage Technique) and Shinjutsu (神術, literally meaning: Divine Technique) used exclusively by Sudhana that he cultivated over the course of three centuries. It is with this mystical fire that he would have slain his uncle, the legendary Monkey King, Sun Wukong, had Kanzeon not interfered. As simply as breathing, Sudhana could generate intense and brilliant fire. They could be called upon remotely within an unspecified radius around himself or locally, such as in the palm of his hand. This fire is wholly inextinguishable by any means and burns across the three worlds. There is no regenerative ability, healing technique, or defensive measure that can negate it; not even a self-proclaimed immortal is capable of surviving it for long nor those immaterial or spiritual. No being is exempt from eventual incineration. The Shinzanmaigedatsuka could be controlled with such finesse, that an entire battlefield could be engulfed without so much as a stray flame licking an ally. They could also be imbued with such explosive force that entire realms were subject to being reduced to nothingness in time. The only known counterplay to this power is sealing or translocating them away. Any attempt to absorb them is one of futility as one will be burned from the inside out. It will burn the target irrespective of their form or status.
Ryu - Kinenbakushingon (金円縛真言, literally meaning: Golden Band Binding Mantra) is one of the Eightfold Path Techniques (八正道の術, Hasshōdō no Jutsu) used by the Noble Ones (聖者, Shōsha). It is representative of the importance of the right mindfulness; these bands serve as a constant reminder to those unfortunate enough to bear them. Once the golden bands are in place, they are nigh-impossible to remove; they suppress the will for the bound to resist the user and they absorb physical and spiritual energies upon command. The bands can be tightened to inflict excruciating pain as well as be imbued with either an attractive or repulse force, (引なり斥力, in nari sekiryoku) with the user being the focal point. It’s worth noting the sufferings this technique brings is very much real - even the most physically or mentally resilient of foes can be made to kneel in time. In a flash of brilliant light, Kanzeon can manifest a number of golden bands of absolute binding force. These hoops seemed to clamp directly onto their intended target with how fast they appear and, with the power of "all things in nature" (森羅万象, Shinra Banshō), they can be pre-shaped to fit an entity of any size. Once the binds are in place, they are nigh-impossible to remove and as constructs created with natural energy, they suppress the will for the bound to resist. The bands absorb physical and spiritual energies and at any given time they can be imbued with either an attractive or repulsive force (引なり斥力, in nari sekiryoku) with Kanzeon being the focal point. The bands, through simply willing it, can tighten and inflict excruciating pain to those bound, forcing them to obey. This function is noted to somehow be non-lethal, however, the suffering is very much real and tailor-made to each individual. It cripples even the most resilient, physically as well as mentally, of foes and makes a pawn out of all.
Ryu - Shukumeinoshi (師の宿命 literally meaning: Master of Fate) is a Shinjutsu (神術, literally meaning: Divine Technique) used by Shōshiki Ōtsutsuki, one of the Eight Immortals. It is truly an ability that is simply ludicrous, as if tugging upon the universe itself, and designates one capable of using it amongst the gods. Allowing its user to control fate to any degree, it is similar to both Ryōiki Shinkengen and Oshimaikangaenaosu, as it allows for the user to change the course of fate by altering the imminent future to whichever outcome he may desire. These adjustments can be the slightest or grandest of amendments depending on the alternate realities he has seen; with this divinity, he is nearly impossible to outmaneuver and one can never truly be sure if one's actions are their own. It's worth noting that Yoritoshiki is incapable of perceiving or modifying his own future. If he, for example, is destined to die during an encounter, there is nothing he can do to change that fact although he can make it more difficult to accomplish. Additionally, if Shukumeinoshi is used "blindly" or without first surveying what shall soon happen, its effects cannot be accurately predicted. While rare for him to do so due to the aforementioned drawbacks, Yoritoshiki could, at a great expense he has not disclosed, formulate prophecies and inevitable events that will transpire at unknown points in the future. Whether they may occur within the hour or the next decade is, ironically, up to fate. Nonetheless, any alterations with Shukumeinoshi become unchanging and with mastery, the user can control all fates and all probabilities. With true mastery, the user has the capabilities to create and assume control of concepts beyond the abstract plane on which most concepts lie. These 'meta-concepts' are of an infinite diversity; those on the lower end of the spectrum, so to speak, operate off of similar fundamentals to normal concepts, and as such can be considered merely to be illogical, insane, contradictory or irrational, whilst those further on are utterly beyond all concepts, logic and illogic alike, being completely transcendent of such things. This means that, though a Logic Manipulator may be capable of wielding the lower end of these meta-concepts, anything greater than that is completely beyond them - any change or defiance of logic means nothing to all but the very lowest of these kind of concepts.
Ryu - Tsujigiri (辻斬り, literally meaning: Crossroad Killings) is a Shinjutsu (神術, literally meaning: Divine Technique) used exclusively by him of the Teikoku Hatamoto (帝国旗本, literally meaning: Imperial Retainers of the Banner). It is an absurd offensive ability that assures victory against many. By simply mimicking the desired movement with his hands with an intended target visualized, Ryujin could manifest his chakra as an undetectable onslaught of slashes and thrusts to those who lack the faculty to view or sense chakra of a divine quality, as if struck by an invisible blade. These assaults were immensely powerful to where the most resilient of lowly beings pierced or swiftly sundered in two. This technique even seemed to deny causality, as just desiring to assail an opponent will almost always result in it taking effect regardless of their distance, current state, or status such as intangibility, however, barriers of immaculate quality could possibly block it to an extent if erected quickly enough. Additionally, as if he were actually wielding a sword, he could use Tsujigiri as a means of parrying or blocking nearly any incoming attacks with unmatched poise.
Ryu - Hansha: This shinjutsu allows the user to reflect (反射, hansha) any incoming attacks back at the opponent. Even the thought of attacking the user will reflect the predicted move back at the attacker. In order to activate this ability, Daemon's palms must be touching another person, which extends the ability to them as well. Ryujin uses this technique by reflecting the karmic intent, future fate and understanding of the target’s actions against them, multiplying the damage tenfold although he only needs to have received an attack in order to reflect the attack back at several hundred times the force, speed and power. However, he can rescind the condition with ease with this reflection-based power not needing or requiring any usage of his hands or the constant condition of attacking as this is a vow he activated on the ability to limit its true potential in combat as this serves both as the ultimate counter and as a constant reflection, for it can reflect any/all powers and abilities that are used against them without being harmed or affected regardless of their nature, type or level of power, including conceptual powers or even totality/omnipresential attacks and powers of a special nature. This serves as an absolutely unbeatable and unstoppable form of self-defence and counter-attack, allowing the user to reflect any/every power that is used on them and turn it against their target without fail and this can counter any attack, irregardless of the source and origin.
Ryu - Tai Sui (Literally meaning Year of Time) is a technique available to Shinshiki Ōtsutsuki through his Hogan to compress anything inside a spherical area which keep them in pristine and stasis condition for later use by Daidarabotchi as Ryujin can use this to control an invisible realm where time could not flow or ever flow by his will, being the very technique he used to freeze time for the Dragon World grants its user the ability to transfer or store objects within a dimension where time stands still, ensuring their preservation and easy retrieval whenever desired. It should be noted that this technique does extend to living beings, as they can be preserved in this dimension. Additionally, this technique offers the unique capability to transfer any jutsu into the same dimension, only to release them later. This aspect of the technique may occasionally be misconstrued as absorption due to its resemblance with the realm’s only weakness being the State of Brahman as the Tamatebako is the physical manifestation of this technique… with its other name being Kamuikotan.
